Saturday, July 25, 2026

Rewind Review: The Horse in the Gray Flannel Suit (1968)

The Horse in the Gray Flannel Suit really has no bearing on horse racing but rather covers an event in the equestrian world that has seldom been depicted in the motion pictures - horse jumping.

Advertising executive Frederick Bolton (Dean Jones) finds he is up to his neck in bills and in stress. His daughter Helen (Ellen Janov) desperately wants a horse - which he cannot afford - and his boss wants him to dream up a winning advertising campaign for a prestigious pill company "Aspercel" by tomorrow - or else, lose his job. 

After hours scheming up campaign angles, a bolt of inspiration hits him and he finds it may just be a solution that will please both his boss and his daughter: enter a horse named Aspercel in horse jumping competitions across America. What better way to instill in the minds of the social elite the tongue-tripping name of Aspercel and receive headline coverage nationwide? 
The Horse in the Gray Flannel Suit was based on the novel "The Year of the Horse" by Eric Hatch, who was an author and screenwriter best known for My Man Godfrey and Topper. The film was originally planned to be released as The Year of the Horse, but instead, the publicity department decided to pun the popular 1956 Gregory Peck film The Man in the Gray Flannel Suit, which also dealt with the world of advertising. 
Dean Jones' comedic skill in the short-lived television series "Ensign Pulver"(1963), had caught the eye of Walt Disney and when the series was canceled he was cast as the handsome cat-chasing FBI agent in That Darn Cat (1965). Jones has come to be known for his family man roles of the 1970s, but in the 1960s he was usually cast as a bachelor or a childless husband. In this film, he portrays a widower, whom we imagine has not been on a date since his wife's passing. Like most of his roles, he plays Fred with a lot of harried gestures and frequent bursts of nervous laughter.
Ellen Janov was performing at a club in Palm Springs singing when she was spotted by a Disney exec and screen-tested for the role of Helen Bolton. She was fifteen years old at the time of filming and this was the only picture she ever made. Later, she recorded a few songs released through Capitol Records before becoming a primal therapist in Los Angeles. She died tragically at the age of 22 in a house fire. 

                               " For $2,000 I'd jump a few fences myself "
The lovely Diane Baker was making her first - and only - appearance in a Walt Disney production as Suzie "S.J" Clemens, Helen's riding instructor. Suzanne Pleshette could have easily played her role as well, but it is nice to see Baker in this part. The riding habit suits her.

Kurt Russell, who was soon to become one of Disney's biggest stars, had a supporting role as Helen's boyfriend Ronnie, while Morey Amsterdam provided comic relief as Fred's co-worker Charlie.  Lloyd Bochner, Fred Clark, Alan Hewitt and Lurene Tuttle rounded out the cast. 

The star of the film "Aspercel" was really Albarado, a dapple grey jumper who practically steals every scene he is in from the principal actors. In certain scenes, he was doubled by Sir Winston and Could Be, but don't ask us which scenes those were. 

The beautiful Bolton estate and other location scenes were filmed on Disney's 900 acre Golden Oak ranch near Newhall, California.

The Horse in the Gray Flannel Suit was the first film to be marketed with "Walt Disney Productions Presents" after Walt's death in 1966. It was released on December 20, 1968, along with the short, Winnie the Pooh and the Blustery Day, but alas, the film was not the big success it was hoped to be. It brought in only $3.3 million dollars (half of what The Ugly Dachshund fetched).

"Aspercel, Aspercel...take one pill it'll make you well. If you're dead....your dead."

The Horse in the Gray Flannel Suit doesn't have the belly-laugh comedy of some of the better Disney films and, in spite of its marketing, isn't really a comedy at all. Aside from some amusing scenes of Dean Jones riding Aspercel bareback, it is more of a warm domestic drama. Like The Happiest Millionaire, it seems as though the Disney studios were experimenting with trying to capture an older audience. The film gently delves into a variety of different sub-surface topics such as gender equalities and single-parent child-raising all the while keeping the audience entertained and amused with its central theme - horses. 
One of the more important dramatic aspects of the story plot, however, is the psychological trauma of children who support their family. Unbeknownst to Fred, his eagerness to make his publicity plan work puts a lot of untold pressure on the shoulders of his daughter. Helen feels that she is homely and that boys do not like her. Her equestrian skill is the only substance for her self-confidence, but she finds she doesn't enjoy riding as much when she discovers that it is her medals that will either keep or break her father's position. When Fred shamefully realizes this it dawns on him that he has been valuing his job more than his family and quickly makes amends to change that.
The Horse in the Gray Flannel Suit is a personal favorite of ours because of its "feel good" quality. Like most Disney films, it leaves you with a sense of satisfaction after watching it. The film is colorful, features talented performers, an entertaining plot and - most amazing of all -actually does focus on what you would expect to see in it based on its title: horse jumping. The twenty-five-minute finale will make any horse lovers heart thump, with actual footage from the Washington D.C International Horse Show spliced in between sequences. Overall it's a tally-ho-ho show! 

Thursday, July 23, 2026

The Impossibly Difficult Name that Movie Game

We have been posting some tricky screenshots the past few months, so here is an easy one for summer... a happy singing gypsy! 

As always, if you are not familiar with the rules to the Impossibly Difficult Name that Movie game or the prize, click here.

Friday, July 17, 2026

Safe at Home! (1962)

There were a number of sweet family films made in the early 1960s and Safe at Home! is one of them. It was released by Columbia Pictures in 1962. The film was publicized as a light-hearted comedy but there really is very little comedy about it, it is just a simple story of a little boy who wants to see his heroes Mickey Mantle and Roger Maris so he can ask them to visit his little league baseball team. This little boy "Hutch" was admirably played by Bryan Russell (the Bye,Bye, Birdie boy) who was making his film debut. 

Hutch's father (Don Collier) runs a charter boat business in Florida and has very little time to watch his son play baseball. When another boy teases Hutch that his father knows nothing at all about baseball, Hutch tells a whopper of a lie: that his father knows everything about baseball and his best friends are Yankees players Mickey Mantle and Roger Maris. The entire little league and their coach hear about this and ask Hutch to bring the all-stars to see one of their games. Hutch could have easily told them that Mantle and Maris were too busy with spring training to come but then there wouldn't be much of a film. So instead, he runs away from home and hides out at the Yankee's training camp in Fort Lauderdale where he gets to meet his heroes and their coach Bill Turner (William Frawley in his last feature film role).

Hutch is a loveable youngster and he has a number of allies "in his corner" including Mike, his best friend (played by Scott Lane); Joanna, whom he hopes will become his mother (played by the lovely Patricia Barry); and a cute orange tabby cat. 

Safe at Home! meanders along at a gentle pace and never picks up speed but, nevertheless, it never gets tiresome. It plays like a good family soap opera and keeps its audience interested - especially if the viewer is a baseball fan. Mickey Mantle and Roger Maris were obviously no great actors, but they read their lines with conviction and had tremendous support from William Frawley who could put the most inexperienced actor at ease. 

If you want to enjoy an evening of baseball films, then check out the DVD release of Safe at Home! where it is double-featured with the William Bendix comedy Kill the Umpire!.

Tuesday, July 14, 2026

From the Archives: Move Over, Darling (1963)



"Gadzooks! My husband is going to re-marry?!" Doris Day looks stunned in this scene from the Universal comedy Move Over, Darling (1963) starring Day, James Garner, Chuck Connors, and Thelma Ritter. 

From the Archives is our latest series of posts where we share photos from the Silverbanks Pictures collection. Some of these may have been sold in the past, and others may still be available for purchase at our eBay store: http://stores.ebay.com/Silverbanks-Pictures 

Tuesday, June 30, 2026

A Laurel and Hardy Photobook on Kickstarter!

Every month I browse the crowdfunding website Kickstarter to see what goodies are in the making by creative individuals and this month I was pleased to see a series of Laurel & Hardy photobooks compiled by two Englishmen, Patrick and Russ. They appear to be avid fans of the silent comedy duo and these books "Laurel & Hardy Silents" mark the first two volumes in a series of six... along with a neat-looking Laurel and Hardy Magazine series as well. 

If you are not familiar with crowdfunding, it's a very easy process. You browse prospective projects ("campaigns") written by the project creators that explain what they are hoping to accomplish - in this case, getting these books into print - and then you buy the end product before it is made. A project needs to reach its funding goal before it is successful and goes into production. This project has already reached it, so the books are set to ship in December 2026. It's really just pre-ordering items...but if enough crowdfunders don't get together to pre-order, then the final product is never made. My sister and I have a number of Kickstarter campaigns under our belts, so we love the whole crowdfunding process and especially the community - a really swell bunch of people!

As the creators' state, "Our long-term aim is to create a complete six-book series covering the entire film career of Laurel and Hardy, published in three two-volume releases. This first set, covering the silent era, is the foundation on which that entire project will be built."

It looks like an impressive set of photobooks - they are packaged in a slipcase as well - and quite a collector's item. Only 1000 of each set will be made (although they mention that all orders will be fulfilled regardless). Unfortunately, shipping is quite expensive for U.S. backers, but it is what it is. 

Check it out! The campaign ends in 30 days. You can read all about it here: https://www.kickstarter.com/projects/laurelandhardybooks/laurel-and-hardy-silents

Friday, June 26, 2026

I Love Melvin (1953)

Melvin Hoover (Donald O'Connor), a photographer's apprentice for Look magazine, wants to impress Judy (Debbie Reynolds), a budding stage actress, and so he claims he is a photographer doing a spread for the magazine. After shooting hundreds of pictures of her, he is reluctant to admit that they won't appear in print. While Judy likes Melvin, she feels she must respond to her boyfriend Harry's (Richard Anderson) marriage proposal in order to please her parents. To stall the situation, Melvin makes a fake cover of Judy on the front of Look but then he doesn't have a chance to tell her it's not real! 

I Love Melvin was a typical musical outputted from the MGM factory. It doesn't stand out as anything extra special but it sure rates high in entertainment nonetheless, thanks to the appeal of its two lead stars. The Technicolor is beautiful and the costumes are nice but it is the songs that are especially lovely. Composer Josef Myrow (The Girl Next Door, The French Line) penned some unique melodies such as "A Lady Loves", "I Wanna Wander", and "We Have Never Met as Yet" and, if these weren't pleasant enough, their arrangements are really nice. Too bad Josef Myrow didn't get more music assignments with MGM then what he did. 

Debbie Reynolds looked cute as a button in the film (as did Noreen Corcoran as Judy's little sister), and she had clearly shed her baby fat as she rose to the ranks of leading lady. This was a great "coming out" film for Ms. Reynolds. She once wrote in her autobiography that she "worked her butt off" at MGM and I think this film in particular was what she was referring to. Debbie had a lot of dance numbers for such a short picture and, in addition to these, she had to be thrown around on stage as a football!

Robert Alton staged the dances for I Love Melvin and they are highly creative and great fun to watch. Donald O'Connor got the really exciting dance routines including one on roller skates. He has a fun Danny Kaye-style solo number, too, where he showcases not only his singing and dancing ability but his comedy style. 

As darling a couple as Melvin and Judy were, I doubt that their romance could have survived through marriage. Poor Melvin couldn't hold a job! 

Also in the cast was Allyn Joslyn, playing a role not unlike his character in Junior Miss (1945), Richard Anderson as the handsome but bland Harry, Jim Backus in a great part as Melvin's smart-aleck co-worker, and Les Tremayne as the manager of Look magazine. Keep your eye out for a brief view of the striking Look building in New York City. It was built in 1948, and since Look's management occupied the top floors, became known as the Look building. It is still standing at 488 Madison Avenue. 

A neat behind-the-scenes fact: Look Magazine actually released the cover design with the photo of Debbie Reynolds as Judy the same month I Love Melvin premiered as a tie-in. 

Monday, June 22, 2026

The Impossibly Difficult Name that Movie Game


Gadzooks! This screenshot could be from any film! Aside from the man looking like John Glenn, there are hardly any clues here to even help in identifying this scene - but if you have a crackerjack memory, perhaps you'll guess it anyway. Give it a try! 

As always, if you are not familiar with the rules to the Impossibly Difficult Name that Movie game or the prize, click here.