
The sparkling George Oppenheimer-Harry Ruskin script ( based upon Erich Kastner's novel "Three Men in the Snow" ) follows the escapades of a wealthy industrialist named Tobar ( Frank Morgan ) who decides to go slumming by taking a vacation in the Alps in the guise of a poor villager. While on holiday he becomes smitten with a gold-digging divorcee ( Mary Astor ) and befriends a poor but intelligent young man ( Robert Young ) who just so happens to be in love with his daughter ( Florence Rice ). Ah yes, romance has a way of blossoming even in the snowdrifts.
"Yodeling around with that hussy!"
Every decade gave birth to its own unique style of films and Paradise for Three is certainly a product of its time. Like the music of the era, it is bouncy bubbly entertainment that leaves you with a marvelous carefree feeling.
Young and Rice received top-billing on the credits but Frank Morgan is the true star of the picture. Morgan was excellent in just about every film he made, but none showcases his fine comedic flair as well as Paradise for Three. Tobar is the perfect role for Morgan, a bumbling and sometimes silly, but lovable and respectable businessman.
This was the fifth film that united Young and Rice, who made a lovely screen-couple. Supporting them were Edna May Oliver ( always a hoot ), Sig Rumann, Reginald Owen, Herman Bing, and Henry Hull.