The Saint: The Miracle Tea Party ( 1964 )

Terence Canote, over at A Shroud of Thoughts is hosting The 9th Annual Favorite TV Show Episode Blogathon and our contribution to the event is an episode from the classic British action series The Saint, starring Roger Moore. It is hard enough to pick a favorite television show, let alone a favorite episode for this event, but whenever I think of favorite shows The Saint always comes to mind....and The Miracle Tea Party happens to be one of my favorite episodes ( of many ). 

The Saint was a one-hour series produced by ITV that first aired in 1962. Roger Moore played the suave Simon Templar, a former cat burglar who now works as a sort of private detective. Instead of working for pay, he simply likes to help people in distress ( "people" generally being pretty young women ). Since there is always a villain trying to gain something dishonestly, Simon usually thinks up a clever scheme to help his client, foil the villain, and collect a tidy reward for himself at the villain's expense. 

The Miracle Tea Party features Nanette Newman as the heroine in distress. She plays a nurse who witnesses a man being snuffed out in a phone booth at Waterloo Station. Templar happens to be making a phone call in the next booth and rushes to her aid. Alas, it is too late and the man is already dead. He works at the same naval base that Nurse MacLeod does and she was just talking to him prior to his death. To help calm the nerves of the lovely nurse, Simon offers to take her out to dinner. It is then, that they notice they are being followed. Later, at Simon's apartment, Ms. MacLeod finds a box of Miracle Tea in her purse and wonders where it came from. Simon thinks the dead man must have slipped it into her purse before he was murdered and that's why she is being followed. They open the package and find £500 rolled up inside. The package has a notice that states that if you listen to the Miracle Tea radio program you have a chance to win a prize, so they tune in and hear a series of numbers being read off. 

Simon and Ms. MacLeod then endeavor to discover what the numbers mean and what the £500 payoff money was doing in the Miracle Tea box....and what all of this has to do with the murdered man and the Portland naval base. 

The Miracle Tea Party was the premiere episode of the third season of The Saint, a season of some really good Saint episodes. Nurse MacLeod is an innocent victim who not only has the bad fortune of witnessing a murder but also having an item placed in her purse that the villains want. This is one of my favorite scenarios in a mystery thriller, one that Alfred Hitchcock also adored and used frequently in his films. 

The screenplay, by Paddy Manning O'Brine, was based on a 1938 novella by Leslie Charteris, the creator of The Saint. Unlike some other Saint episodes, there really is no mystery for you to solve here, it is just a matter of watching Simon track down the culprit. But this in itself is enjoyable, especially when Simon befriends and recruits Aunt Hattie ( Fabia Drake ), a burly elderly woman who loves yachting and photography. She is a spunky grandmotherly type of woman who has the gruff manner of an old sea salt, which is probably why Simon takes to her from the onset. Fabia Drake was Roger Moore's former teacher at RADA and he invited her to appear in this episode of The Saint ( which he also directed ). She later returned in the fourth season in a similar role, that of Aunt Prudence in The Smart Detective. 

Another feature I enjoy about this episode is the sets, especially Aunt Hattie's house, which has a timber-framed cottage exterior while inside it resembles an old tavern with well-worn wooden beams, comfy sofas scattered about, and sailing ship models on display. This set reminds me of the interior of the seaside inn in The Old Treasure Story, another favorite episode of The Saint.

Most viewers will recognize some familiar British character actors such as Conrad Phillips ( Murder, She Said ), Basil Dingham, Charles Houston and Robert Brown, who is probably best known for taking over the role of M from Bernard Lee in the James Bond film series starring Roger Moore. 

If you enjoy this episode, then be sure to check out The Frightened Inn-keeper, also from season three of The Saint. 

Head on over to A Shroud of Thoughts to read more reviews of favorite TV show episodes from other bloggers. 

Just Like the Saint! - Roger Moore Off Screen

He's six foot two, fair-haired, and fabulously handsome. He's one of the world's best-dressed men and he's tough. He drives a racy, 100 mile-an-hour-plus sports car and travels internationally. He's outside the law, but he always gets his man - and his girl. He's The Saint. The man who plays him on the TV screen is of course Roger Moore. And all the things The Saint is you can say Roger Moore is - well practically all the things. 

Roger, born in London, travels the world. He tends to regard Rome as his home. But once it was California that was home to him. 

In his early days, Roger mainly played French parts and, thorough in everything he does, he went to France to learn the language and customs. He now speaks perfect French, German, and Italian - as does The Saint, who adds Portuguese and Russian to his list of languages! 

The Saint, created by Leslie Charteris 30 years ago, has always been a favourite with Roger Moore. 

"I feel I've known him, admired him, and understood him all my life," he says. Before he landed the role, he was so keen to play the part that he tried to buy the TV rights of The Saint books - all 110 of them! 

Roger began acting when he was 16. His first part after training at the Royal Academy of Dramatic Art was as a gendarme. He says: "I was stuck under a gendarme's hat and my parents who came to see the show didn't recognize me!"

After that, nearly all his roles were in costume. In repertory it was all tennis shorts and big brass hats. In Hollywood - and films - he wore "long wigs, tin armour, more helmets, tropical gear, long hair and beards, togas, more armour and army rig."

On TV there was the Ivanhoe series with chain mail and lots of lusty sword-play; The Alaskans series which called for parkas and furs; and the Maverick series in which he wore the fancy and elegant suitings of Beau. 

Now the clothes Roger needs for his part as Simon Templar, the Saint, he supplies from his own extensive and expensive wardrobe. "It's nice to know the socks I choose in the morning can stay on all day," he says. 

Roger is the tenth actor to play The Saint, though the first on TV. The other nine were Louis Hayward, George Sanders, Hugh Sinclair, Felix Marten - in French films only, Edgar Varrier - on American radio, Tom Conway, Vincent Price, Brian Aherne and Barry Sullivan. 

Looking back on his career so far, Roger Moore says, "I don't think I've really done anything I can be proud of. The worst part in the world is a hero. In reality, heroes are highly improbable - they always win. I think I would enjoy acting more if I played villains. They are more meaty roles, even if they are often smaller. And they are much nearer life as it really is."

Roger has plans to start a company for independent film productions. "The days of the big studios are numbered," he says. "TV has taken over but there is still scope for good films. I'd like to make some."

As The Saint, Roger tries to show that everyone - including Simon Templar - is human. "I try to be as real and honest as possible," he says. "That is why The Saint TV series has changed from the normal cops-and-robbers style of thing. I am trying to show a man who though almost a superman at times is very much a human being in reality."

However, for the moment, the role of the Saint - the man with all the time in the world on his hands- keeps Roger Moore pretty busy. He doesn't even get much chance for a social life. 

Still, Roger - son of a London policeman - seems to get a mighty big kick out of whatever he's doing, wherever he happens to be. 

Just like The Saint, in fact! 

This article originally appeared in STAR T.V. and Film Annual 1967 published by Odhams Books Ltd. Movie Magazine Articles, another one of our ongoing series, feature articles like this reprinted for our reader's entertainment. Click here to find more posts in this series!

Note: The article neglected to point out that Roger also had a hand in directing many of The Saint episodes. And it is interesting that Roger Moore thought he had not done any roles that he could be proud of, for after The Saint his career really took off and he had some smashing good parts. 

Tanya Roberts Interview on the set of "A View to a Kill"

The beautiful Tanya Roberts passed away last Monday at the age of 65. Since she was best known for her work on the James Bond film A View to a Kill ( 1985 ), we thought we'd share a brief interview that was conducted on the set during the making of the final action sequence. 

Ms. Roberts was only 30 years old when she co-starred with Roger Moore, who was age 57 at the time of filming, making him the oldest actor to play James Bond. 

From the Archives: A View to a Kill ( 1985 )

Wow, look at Grace Jones! I don't know if Bond met his match in Mayday but he certainly did with Zorin ( Christopher Walken ). This has always been one of my favorite James Bond films. It was Roger Moore's last appearance as Bond and one of his best. Lobby cards from the movie are difficult to find in really good condition like this one. 

From the Archives is our latest series of posts where we share photos from the Silverbanks Pictures collection. Some of these may have been sold in the past, and others may still be available for purchase at our eBay store : http://stores.ebay.com/Silverbanks-Pictures

Sir Roger Moore - An Endearing Bond

Today we witnessed the passing of Sir Roger Moore, at the ripe age of 89 years. As the media notes, this marks the first death of a Bond actor.....but, for me, Roger Moore was so much more than 007. He was one of the most manly and charismatic personalities since Errol Flynn leaped onto the big screen. Not to mention he was devilishly handsome. 

I think what appealed to me most about Roger was his stately bearing. He was a gentleman in an age of very few gentlemen. Tailored suits, the finest cuff-links, impeccable hair...he always dressed for the occasion. Sometimes that occasion was yachting on the Riviera, other times hosting a race in London. If one was to look up the word debonair in the Webster's dictionary "Sir Roger Moore" should be the definition. It was like a real baron, no - a prince - took time off from his royal duties to try acting for a lark, to have the pleasure of entertaining the masses. And what pleasure he gave us! 

From his awkward first films in Metro-Goldwyn-Mayer swashbucklers ( oh, but was he dreamy in spite of his acting! ) to his television success playing heroes such as Simon Templar aka The Saint, the roguish cowboy Maverick, or the English aristocrat Lord Sinclair ( The Persuaders ), Roger Moore always slipped into his characters like they were custom-fitted gloves and generously shared his true personality with his audience. He was marvelously witty ( his books will tickle you to death ) and quite modest considering he had absolutely nothing to be modest about. Self-deprecating wit was what he was famous for, with quotes such as this : "If I kept all my bad notices, I'd need two houses."

And then there was Bond. Roger Moore was my favorite James Bond. Always was....at least, ever since I was a youngster and watched A View to a Kill ( 1985 ) with my father and my sister every summer. It was, and still is, a family favorite. Years later, I discovered that Moore was 58-years old when he played in that film, his last performance as Bond. I never knew a 58-year old could be so exciting. 

But in spite of all these wonderful traits, the most impressive quality of all about Sir Roger Moore was his large heart and his zest for living. 

"Teach love, generosity, good manners and some of that will drift from the classroom to the home and who knows, the children will be educating the parents."

Moore succeeded Audrey Hepburn as the goodwill ambassador for UNICEF, a position which earned him his knighthood. Moore considered his work with UNICEF to be the most rewarding thing he ever did, and for nineteen years he used his celebrity status to open doors for the betterment of children's lives. 

Indeed, this man was a true gentleman...humorous, compassionate, modest, dashing, and - dare I repeat myself? - so devilishly handsome! 

I miss you already, Roger. 

From the Archives : Octopussy ( 1983 )

"It's all in the wrist." 

Bond proves that Kamal Khan's luck with dice is more than mere wrist action in the action packed James Bond classic Octopussy. 

From the Archives is our latest series of posts where we share photos from the Silverbanks Pictures collection. Some of these may have been sold in the past, and others may still be available for purchase at our eBay store : http://stores.ebay.com/Silverbanks-Pictures

The Saint ( 1962-1969 )

"Templar...Simon Templar." 

The world was a safer place when the Saint was there to quench the evil desires of the wicked foes scattered across the planet. Simon Templar aka "The Saint" came to the rescue of any poor soul in need, be they wealthy or penniless....provided there was a pretty face nearby. Zipping around in his sporty Volvo P1800, this modern Robin Hood came to aid in the fight for truth, justice and the British way. Via film clips and painted backdrops the Saint traveled all over the world for this cause. From the pearly oceans of Japan to the revolutionary countries of Eastern Europe, Simon would be found taking the law into his own hands and rattling the nerves of the most confident of criminals. 

Roger Moore was "The Saint" for seven years on ITC's hour-long mystery/spy thriller series, becoming a veritable tiny-tele James Bond in the course of the decade. 

The Saint has its profound moments of sleep-inducing splendor and is overall quite charming and strangely addictive. Alongside The Avengers this saintly series was the longest running show of its genre in British television's history. Undoubtedly a testament to Roger Moore's appealing persona and the show's snappy dialogue.

HOW SAINTS ARE BORN

Simon Templar, part gentleman thief/part detective, first appeared in Leslie Charteris' 1928 novel "Meet the Tiger". This story was a commercial success when it was first published and convinced Charteris to stick to writing Saint stories from then on. For over 100 novels, he placed his man in the frays of danger, but Simon Templar ( S.T. for the Saint ) was always prepared to fight the ungodly, whether they be drug runners, gangsters, arms dealers or Nazis. 

In 1936 Leslie Charteris sold RKO the idea of obtaining the screen rights to his hallowed hero, and the studio successfully thrust him into a series of B-grade films, some being of note, others being mediocre. Louis Hayward was the first actor to portray Simon Templar in The Saint in New York, released in 1938. He promptly dropped out of the series after this stupendous start and then the venerable George Sanders took over for five more films before he too stepped down and left the crime-fighting to Hugh Sinclair for the final two films. 

By 1944 the series was washed up and NBC snatched the opportunity to send The Saint into saintly syndication nationwide on its own radio program. Illustrious actors such as Brian Aherne, Edgar Barrier, Tom Conway, Vincent Price and Barry Sullivan all got their chance to play Simon Templar during the show's 6 year run. 

WHEN THE SAINT COMES MARCHING IN...

"I want you to meet the most fantastic man...this is Simon Templar"

When The Saint launched in Britain on ITV on October 4, 1962, it bore little resemblance to the RKO films of the 1940s and instead created a look of its own, a stylish identity that later shows were to emulate, namely the more entertaining The Baron and the benumbingly boring Man in a Suitcase. 

Edwin Astley's jazzy high-pitched opening theme lured audiences into watching each episode every week, but his skill in composing did not extend to penning action-centered filler music and the strength of the series rested solely on Roger Moore's capable shoulders. 

"A buccaneer in the suits of Savile Row, amused, cool, debonair, with hell-for-leather blue eyes and a saintly smile..." these were the words that Charteris used to describe his favorite character. In spite of the fact that Roger Moore fit his description down to the hair root, the author was not all too pleased with the television incarnation of The Saint. This changed overtime however and eventually Charteris became good friends with the producer of the series, Robert S. Baker.

Roger Moore made Simon Templar all his own and embodied his graces of being a sociable, well-tailored gentleman, subtly strong, and always ready to aid a damsel-in-distress. He is not your macho Rambo, bulging with muscles and spiteful vengeance...rather, he's a dandy. But don't underestimate his sophisticated appearance, the Saint would never shirk a fight in the cause of justice. He's just the kind of guy who would look in the mirror and fix his hair afterwards. 

MORE THAN MOORE

Moore could have easily performed in every episode single-handed and still made it entertaining, but instead the producers surrounded him with great guest stars, notably a slew of English character actors who made their livelihood by appearing in shows like The Saint, Danger Man, The Avengers, and The Prisoner simultaneously. Any British TV fan would instantly recognize the likes of Peter Wyngarde, Andrew Sachs, George Murcell, Derek Farr, Kate O'Mara, and Allan Cuthbertson.

The Saint also featured a number of cast members who later went on to befriend or aid in the annihilation of London's sole protector, 007. Julian Glover, Shirley Eaton, Burt Kwouk, Lois Maxwell, David Hedison, Valerie Leon, Paul Stassino, and Honor Blackman were just some of the actors who appeared on The Saint first. 

Templar was quite a ladies man and it's fairly easy to presume that men were the great audience judging from the amount of feminine acquaintances and dalliances Simon had with the ladies. He had a preference for blondes but eventually would settle for any gal with a shapely figure and a pleasing personality. Some of his single-episode sweethearts included Jean Marsh, Samantha Eggar, Barbara Shelley, Quinn O' Hara, Suzan Farmer, and Sylvia Syms. Good taste Templar.

INSURED AND BONDED 

Rarely did Templar resort to using a pistol, preferring the age old art of fisticuffs instead, and like the Saint, Roger Moore hardly ever relied on having stuntmen do his dirty work, preferring to handle the stunts himself. The press loved to emphasis this and thoroughly touted Moore's hand in attempting the dare-devil driving, incredible falls and long leaps that he jumped. The insurance companies were not so thrilled however. Mid-way through the series' run, they insisted that Moore allow the stuntmen to handle more of his feats and have the cameramen cut to close-ups of their leading man in the studio instead. 

One hundred and eighteen episodes of solving mysteries, and later capturing spies, and it was time for the Saint to take a permanent vacation. On February 9, 1969 the series wrapped up production with the final episode, "The World Beater". After seven years of being Simon Templar, Roger Moore was not quite ready to break the habit. Instead he teamed up with Tony Curtis for another ITC mystery/spy thriller, The Persuaders ( 1971-1972 ) in which he played Lord Brett Sinclair, a character not unlike Simon Templar. This series only lasted for one season and then Moore finally accepted the opportunity to don the James Bond persona, which he did for seven films, starting with Live and Let Die ( 1973 ). 

SIMON SAYS...AGAIN

The Saint was not ready to be laid to rest however, and reawakened in 1978 to spread his wings once again in The Return of the Saint, an ITC production starring Ian Ogilvy. Replacing Templar's beloved Volvo was a sporty new Jaguar XJS. Unlike the original series, this Saint actually visited the countries that the title cards referred to. Unfortunately, the show only lasted one season. Saints were going out of style.

HEAVENLY MEMORABILIA

The Saint was promoted in over sixty countries around the world and was immensely popular on the continent. Today, the series is available on at least seven different DVD box sets. In addition to the usual round of comic book and magazine promotional items, the Saint's untarnished image was plastered on quiz books, puzzles and paperbacks.

A particular favorite of ours is the 1/64 scale miniature model of the Volvo P1800 issued in 1966 by Corgi. These were in their standard P1800 models which they simply painted white and stuck with a decal of the saintly stick-figure, but we won't tell anyone if you won't. 

More recently, The Saint memorabilia has included an official 2003 calender released by Show Dazzle Worldwide. If you missed it, you can purchase it "used" this year and pin it up again but be quick, the year is running out. Cards Inc. issued The Saint trading cards in 2003 as well, filled with some lovely color screenshots and fun trivia.

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Currently Me-TV airs episodes of The Saint at 4am EST on Sunday mornings. If you ever have a case of insomnia and desire a potent remedy, here's Dr. Silverscenes kosher cure which will bring about instantaneous slumber - take in twenty minutes of The Saint. Pick any episode, they are all alike. There are no side effects and you'll have exciting dreams to boot! 

This post is our contribution to the Me-TV - Summer of Me Blogathon being hosted by the Classic TV Blog Association. Be sure to stop by and enjoy each of the great posts about all of the shows from Me-TV's summer schedule.