Leonard Spigelgass’ poignant story of racial prejudice, A Majority of One, focuses on emphasizing the truth of the above quotation as well as teaching a gentle and humorous lesson on the folly of judging others by their ethnicity and not by their hearts. It is a story of a cross-cultural romance between two widows – Mrs. Jacoby, a Jewish Brooklynite ( superbly played by Rosiland Russell ) and Mr. Asano ( Alec Guinness ), a Japanese industrialist.
Mrs. Jacoby spent most of her life in Flatbush and loves the neighborhood and her apartment dearly. Her daughter Alice ( Madlyn Rhue ) and diplomat son-in-law Jerry ( Ray Danton ) worry about “Mama” living on her own while they spend years at a time in foreign nations moving wherever Jerry’s position takes them. Mrs. Jacoby is not getting any younger and, as her neighbor Mrs. Ruben blatantly points out, the neighborhood is changing and “that element is moving in”....a statement which brings up a conversation that sets the tone for the film:
“What element, Mrs. Ruben?” ( Jerry )
“You know..colored, Puerto Ricans...”
“Really? I seem to remember in this very neighborhood not so long ago they didn’t allow Jews.”
“What does one have to do with the other?”
“Everything. The only way to stop prejudice is to stop it in yourself”.
When Jerry receives his new assignment Alice pleads with Mama to come with them. “But you haven’t said where”...“Japan, Mama.” Japan! Mrs. Jacoby lost her only son in combat in Japan during WWII and the memory – the hatred – is still painfully fresh. However, for love of her children, she reluctantly agrees to follow, and so they’re off across the sea to the Land of the Rising Sun. En route on the voyage they meet Mr. Asano, a Japanese millionaire industrialist who will not only play a pivotal role in an upcoming international trade conference that Jerry will take part in, but will change Mrs. Jacoby’s feelings toward the Japanese in a remarkable way.
A Majority of One was penned by Spigelgass in 1958 and debuted on Broadway on February 16, 1959, starring Gertrude Berg and Sir Cedric Hardwicke. It played for 556 performances and was a critical and box-office success. It was nominated for four Tony awards ( Berg won for Best Actress ).
Jack Warner at Warner Bros. purchased the film rights to the comedy in 1960 for the princely sum of $500,000 and approached Rosalind Russell for the starring role. Russell was aghast. “You’ve been drinking,” she told Warner according to her 1977 autobiography Life is a Banquet. “What would I be doing playing a Jewish lady from Brooklyn? I’m a little Irish girl from Waterbury, Connecticut. Use Gertrude Berg, it’s her part.” Warner insisted however, refusing to cast Berg since she made a disastrous film at Paramount years earlier. It was not until he suggested that Alec Guinness could be her co-star that Russell reconsidered. “Well, that’s another cup of chicken soup,” she told him. “I’ll think about that little item.”
When she approached Alec Guinness with the idea he said, “I want the dollars, so if you’ll do it, I’ll do it.” To which Russell replied, “I want to work with you, so if you’ll do it, I’ll do it.”
So they did it. And they couldn’t have been a more delightful combination. Russell shines in her role as the Jewish widow, Bertha Jacoby. With just the right about of mamish chochmeh she dispenses bits of neighborly advice – and Smith Brothers cough drops - to all she comes in contact with. She handles herself and her children with respect, but upon occasion, when they overstep their boundaries, she can be firm and immovable.
Guinness was touching and endearing and portrayed Mr. Asano with a graceful maturity befitting a Japanese gentleman of illustrious birth. However, in spite of the heavy makeup and authenticity he gave to his role ( he spent ten days in Japan prior to filming taking a crash course in Japanese culture ), many viewers felt a Japanese actor was called for. Perhaps because a Caucasian portrayed the role on Broadway ( interracial romance was a scandalous subject at the time and was dealt with by using English actors in the roles of Asians ), or because the studio wanted top drawing names, Japanese actors such as Sessue Hayakawa were overlooked.
Marc Marno and Mae Questel were plucked from the Broadway production for supporting roles to round out a cast which also included Frank Wilcox, Francis De Sales and Alan Mowbray.
A Majority of One is a humorous blending of schmaltz and saki and went on to win three Golden Globes for Best Picture, Best Actress ( Russell ) and Best Film Promoting International Understanding. How did it win that last award? Because all cultures are different, the movie tells us, but those differences are just superficial. As they become acquainted, Mr. Asano and Mrs. Jacoby mention aspects of their respective cultures that, at first, seem different but after comparison are revealed to be relatively the same.For example, Japanese people worship in shrines; Jewish people worship by blessing Sabbath candles – ultimately, "God's house is God's house," as Mrs. Jacoby says after being invited to a Japanese shrine. Japanese people eat raw fish; Jewish people eat gefilte fish. Japanese people toast with "Kanpai" and Jews say "L'Chaim."
Jews put up with a lot: "Whatever comes into your life, you take." So do Japanese: "You transcend. It's the philosophy of the Zen Buddhists." ..."You mean, if you have tsouris – trouble – you come out of it a better person for having lived through it." ...."Obviously you have studied Zen Buddhism, Mrs. Jacoby!”
In addition to emphasizing the importance of embracing other nationalities “whether they are white, black, pink or purple” the more subtle lessons of forgiveness and tolerance are taught, lessons which Mrs. Jacoby - and her children - needed to be taught. When he first makes her acquaintance, Mr. Asano approaches Mrs. Jacoby to inquire why she is so cold towards him. After telling him that her son was killed in action by the Japanese, he explains that he, personally, did not want war nor did anyone he knew, and that he lost both his son and daughter in Hiroshima. Mrs. Jacoby then realizes that he’s had a cupful in life too and hatred quickly dispels into kinsmanship. As the voyage progresses they find each other to be the most pleasant of companions, with Mr. Asano particularly drawn to Mrs. Jacoby’s warmth and friendship.
A Majority of One is as relevant today as it was when it was first released in 1961. The film is a hidden gem, a truly entertaining foreign affair, completely unique and as lovely as cherry blossoms in spring; it is sure to bring shtick naches to those who take the time to watch the film.