Showing posts with label A Tribute to Oma. Show all posts
Showing posts with label A Tribute to Oma. Show all posts

Saturday, January 9, 2016

How to Steal a Million ( 1966 )

Audrey Hepburn loved Paris and audiences adored seeing her in Paris on film. She portrayed a young woman who journeyed to Paris to study cooking in Sabrina (1954), a shy bookshop clerk who longs to see the city in Funny Face (1957), and the daughter of a French private detective in Love in the Afternoon (1957). In the 1960s she was in love with William Holden in Paris When it Sizzles (1963) and that same year chased by four enemies throughout the city in the Hitchcockian suspense classic Charade. In 1966, Hepburn returned to Paris for one final outing, this time in the delightful caper How to Steal a Million, directed by William Wyler.

Wyler had a flair for sophisticated comedy and How to Steal a Million is reminiscent of the snappy comedies of the 1930s with its elegant setting and clever dialogue. Hepburn stars as Nicole Bonnet, the daughter of the world famous art collector Charles Bonnet (Hugh Griffith). Occasionally Monsieur Bonnet auctions some of his beloved paintings for "vast sums of money" and they pass into the hands of other avid collectors. What the buying public does not realize is that the paintings auctioned from the Bonnet collection are fakes - meticulously created by "Papa" Bonnet himself. Nicole wishes he would stop forging paintings and loaning their personal sculptures to museums, fearing they will one day be caught....especially since modern methods of examination could determine "the age of the stone, where it was quarried, when it was cut... and probably the name and address of the man who did it!".

"Papa, the Cellini Venus is a fake!"
"That's a word we don't use in this house."


Her fears are realized when their Cellini Venus sculpture, which Bonnet generously loaned to the Kléber-Lafayette Museum of Art, is scheduled to undergo a vigorous chemical examination as a preliminary insurance requirement. Rather than arousing suspicion by recalling the sculpture from the museum, Nicole turns to Simon Dermott (Peter O'Toole), a professional jewel thief, to steal the Cellini Venus back. He and Nicole sneak into the museum at night and using only a magnet, a boomerang, and his wits, attempt to steal a million-dollar art treasure. 

"Why must it be this particular work of art?"
"Why, you don't think I'd steal something that doesn't belong to me, do you?"

How to Steal a Million was one of my grandmother's favorite films. Oma Rozi spent happy years in Paris and loved the city dearly. She also loved the lifestyle of the Bonnets, especially Papa's secret attic room. So this film is particularly dear to me. It boasts a marvelous cast, a witty script, a memorable score by John Williams (credited as "Johnny Williams"), and chic Givenchy costumes (Hepburn dazzled in no less than eight different outfits) but what makes the film a true delight is its setting - Paris.

The movie avoids the cobbled streets and earthy cafe life of Paris that is often portrayed in Hollywood films and instead shows us elegant Paree - a world of high fashion, fancy sports cars, museums, private jets, and auction houses - the setting one likes to associate with the life of an art collector. The film was shot in and around the city and gives us glimpses of the famous Ritz hotel, the Musée Carnavalet, the Élysées Palace along the Champs-Élysées, Maxim's, the Place Vendome, and the Rond-point des Champs-Élysées. The Bonnet's beautiful maison was located on the Rue Parmentier at Carrefour Bineau in Neuilly-sur-Seine, France, but alas...it has since been torn down. 


A number of fine French actors add to the film's authentic Parisian flavor; Charles Boyer has a small and insignificant part as DeSolny, the owner of a rival auction house, and the popular comedian Moustache is featured as one of the museum's guards who likes to take a nip when he can. Fernand Gravey, Marcel Dalio, Jacques Marin, and Roger Treville also have parts while American actor Eli Wallach has the best supporting role, that of Mr. Leland, a fanatic art collector wanting to marry Nicole just to get his hands on her Cellini Venus sculpture. 


Harry Kurnitz, a prolific screenwriter of the 1930s-1960s, penned the screenplay which was based on a short story "Venus Rising" from Practice to Deceive written by George Bradshaw in 1962. Unlike most capers of the 1960s, How to Steal a Million does not focus solely on the planning and execution of the heist, instead Kurnitz lets a series of amusing situations unfold, all of which lead to the final heist and, of course, Bonnet and Dermott falling in love. L'Amour dans Paris...what could be a more fitting ending? 

Bonus : Check out this site to see more of the film's locations and how they look today and this blog to read a more in-depth review of How to Steal a Million and see a ton of great screenshots. Also, an interesting bit of trivia : the famous "Nicole!".."Papa!" exchange between Hepburn and Griffith was revamped for a series of entertaining Renault Clio commercials during the 1980s.  

This post is our contribution to the France on Film Blogathon being hosted by Seredipitious Anachronisms. Head on over to her blog to read more articles on French films and films set in France. Au Revoir!

Wednesday, December 18, 2013

Zsa Zsa Gabor's Vonderful Marriage Advice

When you want to build a house, do you consider choosing an architect who has built one home or twenty? When you wish to engage a babysitter do you pick the girl who cared for one baby or ten? When you want marriage advice do you ask the woman who has been married once or seven times? Ah yes dahling, we knew you'd see the wisdom in this! 

Below we have gathered together some of the choice bits of sage advice given by Zsa Zsa Gabor - the-Budapest-born-beauty-queen-turned-actress-turned-socialite-turned-tabloid-fixture. Zsa Zsa is the most famous member of the Gabor sisters which included Magda, the eldest, and Eva, who became popular on the classic television sitcom Green Acres. Those delectably stylish Hungarian dumplings shared a grand total of twenty marriages between the three of them. Now that's alot of rice! 

As Eva once declared, " Marriage is too interesting an experiment to be tried only once "

Zsa Zsa was the reigning queen of marriages, racking up a total of nine herself. Currently she is married to Prince Frederick von Anhalt. Some of her husbands included Herbert Hunter, Jack Ryan ( creator of the Barbie doll ), and Felipe de Alba. Her third husband was the suave actor George Sanders. Even though the marriage ended in divorce Zsa Zsa remained lifelong friends with Sanders. Her reasons for divorcing him were quite simple : " Ven I vas married to George Sanders, we were both in love with him. I fell out of love with him, but he didn't ". George must have missed the excitement of being apart of the Gabor family because he later married older sister Magda, although that union only lasted six weeks. 

Sister Magda's happiest marriage was to her fourth husband Tony Gallucci, whom she married in 1956. Gallucci died in 1967 of cancer and Magda was heartbroken...she only married twice after that and then chucked the whole institution. 




Interestingly enough, of all the marriages the sisters had ( not counting the affairs they had! ) only one child was born among them - Zsa Zsa's daughter Constance Francesca Hilton, whose father was the famed hotelier Conrad Hilton.

In 1970, Zsa Zsa penned a book based on all the lessons she learned from her marriages...." How to Catch a Man, How to Keep a Man, and How to Get Rid of a Man ". She knew how to do all three. This book contained some vonderful advice that we thought we'd share....believe me you, if you can't follow Zsa Zsa's dating advice whose can you follow? 

On Dating :

“The best way to attract a man immediately is to have a magnificent bosom and a half-size brain and let both of them show. If you already have these two things, though, you probably aren’t reading this because you don’t need to. You are too busy beating men off with a baseball bat. Also I hope for you that you don’t spend too much of your time reading.”
“Emphasize your good points, your face or your legs or your derriere or something else that men normally find attractive, rather than your elbows or your feet. Although Goethe, the famous German poet, said, ‘A pretty foot is a great gift of nature,’ you don’t run into men like Goethe every day.”
“One of the best places to definitely not find a man is Hollywood.”
“You are much better off staying home and being the prettiest girl in Paris, New York, Chicago and Budapest rather than the 27,304th prettiest girl in Hollywood.”
“If you even can just barely stand a man in, say, Pittsburgh, you’ll adore him in Paris. I guarantee it. On the other hand, if you should find a man in Paris, by all means leave him in Paris, because if you take him somewhere else, you’ll find that it wasn’t the man, but, as the song goes, it was Paris that you loved.”
“A successful romance is like a game of tug-of-war. But remember, playing hard-to-get comes after he thinks he’s got you. If you play hard-to-get while he’s playing hard-to-get then nobody gets anybody.”


On Love :

“If you catch that wonderful man, what does age matter? After all, love is blind, and it is also not good at arithmetic.”
“Unfortunately, it’s true that most of the men I choose are the type most women would be attracted to, because I’m such a careful shopper.”
“If you are insanely mad about your husband, then you are mainly lovers, not married people. It’s the biggest luck in the world to have a love affair which is legal. But, La Rochefoucauld was so right when he said ‘True love is like seeing ghosts, we all talk about it, but few of us have ever seen one.’”
“I couldn’t endure living in a harem, not even if I were the favorite (which, of course, I would be, if only because I would have poisoned all the others). Also, in a harem the only men you would be allowed to talk to, besides your husband, would be eunuchs, and I’ve had enough of them since I have lived in Hollywood.”


On Marriage :

“It is unfortunately true that the only man who will always ask you to marry him immediately is the one you would never marry.”
“A man in love is incomplete until he is married, then he is finished.”
“If you like a man and he likes you, you should get married as fast as you can. Otherwise, you both are going to change your minds. There’s plenty of time for that after marriage.”

“I would not advise any girl to marry a man just because he is rich. I absolutely believe in that Scottish proverb that says, ‘Don’t marry for money; you can borrow it cheaper.’”
“I would take an American man for a husband three times out of five. In fact I did take an American man for a husband three times out of five. No other men can fix your dishwasher and your electric gate as well as American men. European men absolutely refuse to fix anything. It’s beyond their dignity.”

“When the young girl who is married to the older man gets mature herself, the man she has been married with has probably dropped dead. This, of course, is an ideal marriage.”
“Men are like fires : they go out if left unattended.”
“Any woman who slops around the house all the time with grease on her face and curlers in her hair in front of her husband is a dumb woman. If he stands for it, he’s not genius himself.”
“Remember, if you wear the pants in your family, your husband’s mistress is going to wear the sables.”

“Don’t ever let your husband take a vacation without you, unless it’s somewhere like on a mountain climbing expedition up Everest with only other men and sherpas, or maybe down a river fastened into a kayak so he can’t get out when he passes through a town. But even then to be on the safe side, you should send along with him your mother, as long as she isn’t your stepmother who looks just your age or younger...”
“I have noticed that often the more romantic a man is before marriage, the less he is after. At least with his wife.”

“The minute I understand a man, he is no longer exciting and a challenge to me. And the last thing in the world I want is for a man to understand me and know what’s always going on inside my head. It takes away from all my mystery, which, as I’ve told you before, is the most important thing between a man and a woman.”

On Divorce 
“If it’s okay to have your nose fixed if it’s messing up your face, it certainly ought to be all right to get a divorce, if it’s your whole life that’s being messed up by your marriage.”
“The truth is, you never really know a man until after you have divorced him.”
" I believe in large families : every women should have at least three husbands "
Vell dahlings, there you have it...everything you'd want to know about dating and marriage from the Queen of Matrimony.....whether you want to take it seriously or not is up to you.  As Zsa Zsa so aptly put it, 
" I tell you, in this world being a little crazy helps to keep you sane ". 

Monday, December 16, 2013

A Tribute to Oma Rozalia

Oma in Serbia in 1942
The Christmas season is a mixture of happiness and bittersweet moments for many, because it is a season filled with nostalgia. The happy moments we create anew each Christmas are intertwined with the traditions and memories of years gone past. Familiar melodies, cherished moments, and childhood experiences with dear loved ones are all woven together to create a unique tapestry of memories that warm us all through the winter. 

Some of my fondest winter memories took place on the days leading up to Christmas, those cold December days when my family and I were home bound due to the snowy weather. This was the season that our grandmother - "Oma" as we called her ( we're German ) - loved the best. I rather fancy it was because her own fondest memories were from the winter months she spent as a child in Serbia. 

We were very close to our Oma, and even though she passed on two years ago, she still remains with us in our hearts. Since we feel her presence the most during the Christmas season we decided to make our December issue a tribute to all of the films our Oma loved the best, because - yes indeedee - she was a film fanatic. 

Before we highlight the upcoming features please let us indulge in a little bragging about our beloved Oma....

Rozalia Amstadt was born in Serbia in 1925 and as a teenager worked as an usherette at a movie theatre near the Hungarian border. This is where her love of film was born. She often claimed that she saw more movies than anyone in the world and quite frankly, we don't doubt that. How many Serbian and Polish films do you think Robert Osborne saw?

She use to bring the old movie posters home from work and paste them on her bedroom wall and in the bathrooms of her childhood home. Not only were they interesting bathroom reading material but they kept the room warm too....heat was costly and paper not easy to come by you know. 


Oma with her beloved Rolls Royce, once owned by a general

Oma met my grandfather in the "Lager" ( a refugee camp ) in Innsbruck during WWII when she lived and worked there as a chef. Shortly after they moved to France while they waited for the Catholic church to approve and pay for their passage to America. In France, Oma was not able to watch many movies since the town my grandparents lived in had no movie theatre, but once they arrived in Cleveland in 1956 the first piece of furniture my grandfather ( Opa ) purchased was a black and white television. They couldn't speak a word of English but they - and their three boys - sat enthralled watching Arsenic and Old Lace on television that night. If a good movie was playing on tv their neighbor would reach across the yard with a broomstick and thump on their window holding up a sign with the channel number and airing time on it. How sweet! 


Oma quickly learned the language ( she already spoke four languages so what was one more? ) and despite the fact that she told us everyday " Never forget that you are European " and often criticized "dis kontry", she fell in love with America and its history. Her favorite period of time was the Roaring 20s and always wished she was a saxophone player for a swing band during that era. She would have loved the 1920s...bootleggers and all.

As Oma got older her knowledge of movies grew larger and larger. Aside from cooking and crocheting, her favorite hobby was watching classics. If a classic film wasn't to be found on cable tv then she would enjoy any good thriller. Action flicks were not her cup of tea but suspense films and mysteries she adored....just so long as they didn't have "too much talk". She must have seen every Hitchcock film twenty times over.

We often referred to Oma as "Countess Rozalia" because she loved the good life - fancy cars, sparkling jewelry, mink coats, dapper men in suits, world travel and loads and loads of money. Since she didn't have this herself she enjoyed reading and hearing stories about the wealthy - aristocrats, royalty, and.....movie stars! We always wished we could have seen Beverly Hills with Oma. 



If she had to pick a favorite film to take on a desert isle I'm sure she would have grabbed Some Like It Hot. That film captured all the wonderful things that Oma loved - the millionaire life, hot jazz music, train travel, jewelry, and gangsters. Our grandma loved everything about gangsters. I believe she rather wished that the Roaring Twenties would return and then she would be a "Ma Barker" herself. The last film she watched before she died was Some Like It Hot. 

Rest in peace Oma, I know you are enjoying "the good life"!


Here is a overview of what you can expect to read about this month :

Scrooge ( 1970 ) : our grandmother's favorite Christmas film. We watch it every December a week before Christmas, usually on a Friday morning. While our father and uncle snuck off to the auto auction in the freezing cold weather we stayed at home and watched this lovely film. Oma simply adored the first hour, especially the December the 25th dance number, but once it got to the grim reaper scene she usually headed to the kitchen to get a head start on making soup. 


How To Steal a Million ( 1966 ) : of all the genres of films that were made, "heist" films and musicals were the themes Oma preferred, and so we're going to feature a behind-the-scenes look at one of her all-time favorite films - How to Steal a Million - and our Nugget Reviews will be a look at some other classic heist flicks of the 1960s. Anyone ever hear of That Man From Rio? 

Lifestyles of the Rich and Famous ( 1984 ) : this show was Oma's bread and butter for many years. When it finally went off the air in 1995 she consoled herself by watching the three episodes we had taped off of television. Eventually The Price is Right became her favorite television show. It was a toss-up for us whether to right about that classic game show or Lifestyles but ultimately we choose the rich one because there isn't much written about it. 

Zsa Zsa Gabor : Dahling, dis was Oma's alter ego, what more could we say?

The Ghost of Jayne Mansfield : Jayne Mansfield was one of those iconic buxom babes that seem to crop up every other generation. Jean Harlow was the Mansfield of the 1930s, Loni Anderson of the 1980s, Anna Nicole Smith the Mansfield of the 1990s. We spent our childhood hearing every tale of gossip from Hollywood that Oma could remember. Most of the time she mixed all the tales together and gave them a good shuffle ( which only made them more juicy ) but there was one she liked to repeat over and over which never changed - the ghostly image Engelbert Humperdinck saw in Jayne Mansfield's home. 

And last but not least....an Impossibly Difficult Movie Scene from an impossibly good film. 

Enjoy!