"Why, if it isn't Mr. 'Olmes!" You may know him by his real name, but more than likely you just call out "Lestrade!" when you see him on film. Although Dennis Hoey has become forever associated with his role as Inspector Lestrade in the Universal Sherlock Holmes series, he was a character actor like no other; a competent actor who appeared in nearly 75 films with that burly mug of his that is instantly recognizable. Samuel David Hyams was born in London in 1892 to Russian immigrants who operated a bed and breakfast in Brighton. While attending Brighton College, the young lad considered entering the teaching profession but war intervened and, while fighting overseas for the home island, he found out what jolly fun it was singing for his fellow soldiers. This led to Hyams deciding that becoming a musical performer might be a very entertaining business. Once back on British soil, he joined up with an acting company and made his first stage appearance in 1919 at London's Drury Lane Theatre. He landed a plumb part as Ali Ben Ali in the London production of The Desert Song which ran for over 400 performances and for the next decade exercised his dramatic skills while touring with Godfrey Tearle’s Shakespearean repertory company. Early in his stage career, Hyams changed his name to Hoey, most likely to link his name with that of Iris Hoey, a very popular musical comedy star at the turn of the century. He crossed the Atlantic to appear in a few stage productions in New York, notably Katja ( 1926 ), before heading back to England to wed and to dip his toes in that refreshing new pond of opportunity - talking pictures.
Hoey had a number of juicy film parts during the early 1930s, including Baroud ( a Rex Ingram film ), the unforgettably titled Chu-Chin-Chow with Anna May Wong, The Good Companions starring Jessie Matthews, I Spy with Sally Eilers, and Brewster's Millions featuring Jack Buchanan. Hoey also performed in several Stanley Lupino ( Ida Lupino's father ) comedy films before taking time off to return to the stage and star in light operas. In 1937, Hoey moved his family ( which included son, Michael ) to the states and for the next five years kept active in the theatre performing in Pygmalion ( as Colonel Pickering ), Jane Eyre ( which he toured with Katharine Hepburn ), and Virginia along with Nigel Bruce. When war broke out in Europe, Hoey packed up his family once again and headed west to the land of movie stars in the hopes of finding regular film work. Which he did.
Within three years Hoey appeared in eleven films for 20th Century Fox, demonstrating his flexibility in roles ranging from lords, intelligence officers, and detectives. The 6'2" actor exuded an authoritative presence which made him perfect for these kind of roles. It was most likely his performance as Colonel Woodhue, head of the British secret service, in the spy comedy Cairo that led to Hoey being cast as Inspector Lastrade in Sherlock Holmes and the Secret Weapon ( 1942 ). The series became so popular that Hoey was naturally called back to Universal studios, where he was under a non-exclusive contract, to revive his role in Sherlock Holmes Faces Death. He would go on to make four more Holmes films for the studio and was pigeon-holed in similar "inspector" roles in the horror classics Frankenstein Meets the Wolf Man and She-Wolf of London ( 1946 ).
Hoey was really marvelous as the affable Lestrade. He gave substance to a character that was barely sketched out by Sir Arthur Conan Doyle and made him a favorite fixture of the series. He brought to the character a proper air of diplomacy in spite of his utter lack of efficiency and was truly a beloved bumbler. Hoey enjoyed portraying Lestrade and even wrote a script for a Sherlock Holmes installment, in which Holmes attempts to solve a mystery surrounding the famous ghost of the Drury Lane theatre. It is a shame this script never was produced, for it would have been a good addition to the series.
Once back at 20th Century Fox he was able to portray a wide variety of characters in films throughout the mid-1940s. Some of the films he made during this period include National Velvet, A Thousand and One Nights, The Keys of the Kingdom, Kitty, The Crimson Key, Golden Earrings, and The Foxes of Harrow. Anna and the King of Siam offered him the chance to play alongside his real-life friend, Rex Harrison. Here, he was cast as a nobleman but, unfortunately, most of his part wound up on the cutting room floor. In the late 1940s, Hoey continued to stretch his acting muscles in minor roles in adventure and dramatic pictures such as If Winter Comes, Joan of Arc, The Wake of the Red Witch and The Secret Garden and also did a number of radio spots, including playing Lestrade alongside Rathbone and Bruce. By the early 1950s however, Hoey's career was on the wane and he turned his attention to the newest medium of wonder : television. Ironically, one of Hoey's last performances was that of Arthur Conan Doyle in an episode of Omnibus ( 1956 ).
In his final years, Hoey remained in Tampa, Florida with his second wife, basking in the sun and enjoying retirement until his death in 1960. He was estranged from his son, Michael, who later went on to become a successful producer and director. One of our favorite annual events - the What a Character! blogathon - is taking place this week over at Aurora's Gin Joint. This is our small contribution to an event that celebrates all those wonderful character actors of the silver screen. Be sure to check out the roster of posts on all your favorites!
And they're off!Coming around the first bend is Lucretia's Child, in the lead by a body length with The Fat Lady Sings, Gone With the Wind, Dunkin' Dixie and I'm Gonna Get You following closely behind. Now Lucretia's Child and Dunkin' Dixie are neck to neck..and here comes the home stretch...aaaand Seabiscuit is the winner!! ( Darn. I bet two bits on Dunkin' Dixie ).
With the Kentucky Derby, the most popular horse race in the U.S classics, coming up this Saturday what better way to get into the hoof of the moment then by watching some winning horse racing films. Can't think of any good ones off the top of your head? Well then, you've come to the right place. Below we have a line-up of some of the finest racing flicks you'll ever come across ( pre-1965 of course ). Look over the contenders while they are in the paddock, read the plots, weigh the odds, use your gut instinct and then place your bets, for on Saturday they race! Okay, not really "race"...but they are going to be compared head to head. Select the film you think will be the Triple Crown Winner, the grand chawhee of them all, to be announced right after the Kentucky Derby. ( Good luck trying to find a bookie who will place your bet. )
THE LEADERBOARD Kentucky ( 1938 ) - Loretta Young and Richard Greene star in this Southernized modern version of Romeo and Juliet set amidst the bluegrass country of Kentucky. With a strong supporting cast included Best Supporting Actor Walter Brennan, vivid Technicolor, and a fine roster of thoroughbreds racing their hearts out, this is a winner for sure. Odds : 3-1
Boots Malone ( 1952 ) - This is the horse-racing picture for true horse-racing fans. "Boots Malone" captures life at the track the way it really is. William Holden plays a cynical agent for a young jockey who wheels and deals with everyone and everything to get what he wants ( yes, this is Holden being Sefton at the racetrack ). An unexpected ending just adds to the splendor of this great film. Odds 2-1
Pride of the Bluegrass ( 1939 ) - This Warner Brothers programmer tells the story of Elmer Gantry ( "Gantry the Great" ) a blind stallion who gallops his way to glory in the Grand National. James McCallion, Edith Fellows and Granville Bates star. Odds 7-1
National Velvet ( 1945 ) - The timeless Enid Bagnold classic comes to vivid life in this Technicolor MGM adaption starring Elizabeth Taylor, Mickey Rooney, Donald Crisp and Anne Revere. It's all about the story of a young girl determined to get her "Pi" into the Nationals and to win at that. Odds 2-1 Broadway Bill ( 1934 ) - Frank Capra's classic story of a businessman whose passion for his horse leads him to forsake all to pursue his dream of entering the Kentucky Derby despite the odds being against him. Capra later remade his hit in 1953 as "Riding High" with Bing Crosby as our devoted horse fan. Warner Baxter, Myrna Loy and Clarence Muse star. Odds 2-1
Sporting Blood ( 1931 ) - This early talkie follows the saga of Tommy Boy, a young colt who begins life with such promise and then falls into the wayward path of drugs ( he was doped into it! ) until a young woman ( Madge Evans ) decides to help him back on victory's path. Clark Gable and Ernest Torrence also star in this film which includes actual Churchill Downs racing footage. Odds 4-1 The Story of Seabiscuit ( 1949 ) - A "thorough"ly entertaining fictional account of the life and times of the great Seabiscuit prior to his winning the Triple Crown in 1937. Actual footage of Seabiscuit's win at the Kentucky Derby top off the grand finale. Shirley Temple, Lon McCallister and Barry Fitzgerald star. Odds 3-1 Glory ( 1955 ) - Margaret O'Brien and Walter Brennan star in this story of a young woman yearning to win a big race with her philly "Glory". This coming-of-age film was made as an attempt to launch Margaret O'Brien's adult career, but it never took off. Lawrence Welk's lovely Champagne lady Norma Zimmer dubs O'Brien's singing voice for her three musical numbers. Odds 5-1
Blue Grass of Kentucky ( 1950 ) - This Monogram quicky tells the story of Blue Grass, a "secretly" bred horse of the finest stock who is entered to win at the Kentucky Derby despite his owners doubts of his racing ability. Bill Williams, Frank Morgan, and Jane Nigh in this Kentucky drama. Odds 5-1. Thoroughbreds Don't Cry ( 1937 ) - A young English lad and a cockey jockey set their hearts on winning the Kentucky Derby and no difficulties are too large for them to surmount. Mickey Rooney, Ron Sinclair and Judy Garland star in this light but enjoyable jaunt into the derby. Odds 4-1
THE TRIPLE CROWN WINNER
National Velvet! This thundering winner of 2 Academy Awards ( and three more nominations ) justly deserves the flowered wreath of glory bestowed around its neck. Whilst "National Velvet" is not at all a Kentucky Derby themed film - the Grand Nationals is a "steeplechase" run - there can be no doubt that it captures in its 123 min. run time everything that a horse owner and jockey have ever felt about entering a race.
" Do you think a race like this is run by luck? " " No, by knowing the Pi can win and telling him so! " A young girl's faith and trust in the horse she loves and her single-minded determination to win the Grand Nationals allows her to capture her dream. Originally a vehicle for Katherine Hepburn, Paramount sold the rights to the Enid Bagnold best-seller in 1941 to MGM studios, whence Pandro Berman took loving care of it and produced this gem of a film.
