Bedknobs and Broomsticks (1971)

Treguna Mekoides and Trecorum Satis Dee....

"I don’t want locomotionary substitution or remote in transitory convolution, only one precise solution is the key…. substitutionary locomotion it must me!"

Yes, Eglantine Price was searching, not for locomotionary substitution, nor for remote in transitory convolution, but for that secret magical spell – Subsitutiary Locomotion – that would be the key to single-handedly quenching the onslaught of the Nazis and putting a stop to the war!

In her secluded country estate in the cover of night, mild-mannered apprentice witch Miss Price, along with her scraggly looking cat Cosmic Creepers, practiced her latest lessons from Professor Emelius Browne’s Correspondence College of Witchcraft. However, when three evacuee children from London take lodging in her home, her top-top secret identity is discovered and, as an exchange for their silence, she gives them a special Travelling Spell.

“The game’s up Miss Price, we know what you are”

A bedknob (and its matching bed) become the initiators of this fantastic spell, and it is put to good use quickly when Miss Price and the children set out for London to enlist the aid of Professor Browne in searching for the all-important magic words of Substitutiary Locomotion. Their quest takes them to Portobello Road - the street where the riches of ages are stowed - where they meet the wily Bookman (Sam Jaffe), another Substitutiary Locomotion spell-hunter and his knife-wielding henchman Swinburne; to the Beautiful Briny Sea where they have a chance to get a better peep at the plants and creatures of the deep; and to the not-so-mythical animated Isle of Namboombo, a land of talking animals and where the legendary magician Astoroth (the spell’s creator) was believed to have spent his final days. Aha!….but do they find the magic words to Subtitutiary Locomotion AND put it to use before the approaching Nazis invade Pepperinge Eye and the coast of England?

Well, this being a Walt Disney movie, I’m sure we all know the answer to that question.

Bedknobs and Broomsticks was based on two books written by children's author Mary Norton in the mid-1940s. "The Magic Bedknob, or How to be a Witch in Ten Easy Lessons" and its sequel "Bonfires and Broomsticks" were originally purchased by Walt Disney in 1963 as a backup plan in case P.L Travers did not like the retelling of her story "Mary Poppins", a movie which was already in its pre-production stages at the time.

Since "Mary Poppins" got the go-ahead, Bedknobs and Broomsticks was put on the back burner and it was not until 1969 that Bill Walsh blew the dust off the kettle and got it boiling again.

Initially, Julie Andrews was offered the part of Eglantine Price (Leslie Caron and Lynn Redgrave being other choices) but had turned down the role. She later changed her mind, feeling she owed her start to Disney and wanted to work at the Studios again, but by this time Angela Lansbury had already been offered the part and gladly accepted.… signing the contract on Halloween Day of 1969.

And what a great choice she was! Miss Lansbury played Eglantine, the apprentice witch, with conviction and heart. And the wonderful David Tomlinson ( Mr.Banks of Mary Poppins ) played penny-any magician Professor Emilius Browne, a role he took to with a flair.

Mr. Browne: Bookman! Before your very eyes, I shall cause this bed, and all the occupants upon it, to disappear!

Bookman: Disappear? I should like to see a cheap-jack tenth-rate entertainer do a trick like that.

Mr. Browne: Cheap-jack entertainer. Now that was naughty.

The three children (Ian Weighall, Roy Snart, Cindy O’Callaghan) were all making their screen debuts and, save for Cindy O’Callaghan, have not done any other film work since then. A pity, because they were very good child actors.

Roddy McDowall played Mr.Jenks, a priest with an eye for Miss Price (or rather, her valuable bit of property); Reginald Owen was…well, Reginald Owen….mouth wide-agape and commandeering the soldiers of the Old Home Guard; Tessie O’Shea played shopkeeper, town gossip and postmistress Mrs. Hobday, and rounding out the cast was John Erikson as the Nazi captain who has a bad fall-in with some headless fighting armor.

Bedknobs and Broomsticks is a heartwarming and bewitchingly enchanting movie and like most Walt Disney films, the supercalifragilistic Sherman brothers song-writing team had a big part in contributing to this. Bedknobs is chock full of wonderful whistlable tunes like “The Beautiful Briny Sea”, “Portobello Road” and “Eglantine, Eglantine!” and best of them all is the lovely “The Age of Not Believing” (nominated for an Academy Award). Its words brilliantly capture that period in life that we all go through at times when we doubt our own abilities and lose faith in our dreams.

Miss Price wasn’t a very capable witch, even for an amateur. She couldn’t fly a broom straight, nor turn a person into a frog (although she did have a knack for morphing them into fluffy white rabbits) but she had a heart of gold and tried the best she could to save her beloved England. Technically, a witch is a lady unless circumstances dictate otherwise, and, at the closing, we see this clearly demonstrated in Eglantine as she dons her battle helmet and pulls out all the stops to fight the Nazis had on.

"Filigree, apogee, pedigree, perigee!"

Bedknobs and Broomsticks premiered in 1971 at Radio City Music Hall as part of their Christmas show but, unfortunately, over thirty minutes of this wonderful movie had to be cut to fit into its two-hour time slot. For some reason, this sliced footage was left out of all the subsequent national showings as well. It was not until 1997, for the 25th anniversary video edition, that most of this deleted footage was reinstated. It is still missing a few key scenes, but we’ll not complain…after all, it’s a step in the right direction.

"Oh, bother! I do hate shoddy work!"

Murder She Wrote: Night of the Headless Horseman ( 1987 )

Angela Lansbury, that wonderful actress of the stage and screen, passed away on October 11th at the age of 96. She was one of those rare actors who was equally well known for her work in film ( The Portrait of Dorian Gray, The Manchurian Candidate, etc ), in the theater ( Mame, Sweeney Todd ), and on television, where she played one of the most beloved sleuths in television history -  Mrs. Jessica Fletcher in the long-running series Murder, She Wrote. 

Murder, She Wrote premiered in 1984 and ran for 12 seasons, ending in 1996. There were over 260 episodes made and if you ask fans of the show which is their favorite, few can name just one. In fact, it would be difficult to narrow the choice down to a top ten list. However, since Halloween is just around the corner, I thought it would be a good time to share a review of one of the eeriest episodes made and certainly one of my top favorites: "Night of the Headless Horseman". 

"Night of the Headless Horseman" was the eleventh episode from season three, a season that was filled with juicy episodes. It tells the story of Dorian Beecher ( Thom Bray ), a young poetic English teacher at a private school for boys. He is in love with Sarah DuPont ( Karlene Crockett ), daughter of the president of the school, but he has a rival for his affections - the nasty Nate Findley ( Barry Williams ), one of the school's riding instructors. Several times Dorian has encountered a "headless" horseman on the old wooden bridge near the village and he believes the apparition to be Nate playing tricks with him. 

One evening, after having a row with Nate at the local inn, Dorian decides to walk home across the bridge and, once again, the masked rider on horseback comes charging out of the night, this time pushing Dorian down to the ground. 

When he awakes, hours later, the town is abuzz with the news that Nate Findley's body was found near the bridge...with his head cut off! 

Suspicion naturally points to Dorian, but luckily for him, Mrs. Fletcher is there to defend him and uncover the clues to discover the real murderer. 

While all of the Murder, She Wrote episodes featured a murder ( some had as many as three ), none were so ghastly as this beheading. 

"Oh Jessica, if I were going to kill anybody I certainly wouldn't decapitate them. That is really disgusting!" - Dorian

What reason was there to behead, Nate? Was it to embellish the legend of the headless horseman? Could be. But Mrs. Fletcher had an even stranger puzzle on her mind. Nate Findley's boots were on opposite feet when his body was found. 

"Night of the Headless Horseman" has a number of good clues to help television viewers piece together the puzzle but whether you solve the mystery or not, you will enjoy watching this story unfold. 

The setting is picturesque ( a fictional Vermont village in autumn ) and the guest stars are great to see. Hope Lange ( The Ghost and Mrs. Muir ) plays the principal of the school where Dorian teaches. Fritz Weaver is Dorian's employer and the father of his beloved Sarah. Charles Siebert plays a local dentist, Judy Landers a waitress at the village inn, Guy Stockwell a groundskeeper, and best of all, Doug McClure stars as the town sheriff. 

Of course, like in all Murder, She Wrote episodes, it is Angela Lansbury who takes center stage and she is particularly fun to watch in this episode. Knowing that his potential father-in-law is anxious to meet his mother, orphan Dorian brings Mrs. Fletcher out to the school and introduces her as his mother. Angela Lansbury's various expressions of surprise as she is called Mrs. Beecher throughout the episode are delightful to watch. 

Susan Littwin, an editor for TV Guide, was invited backstage to see this episode being made and she wrote about it in the January 3-9, 1987 issue of the magazine. "Putting this almost-movie on the air every week, 22 times a year, is one of the fast-food miracles of television," she writes. Littwin goes on to say that this episode cost a surprising figure - $1.3 million dollars - and involved a staff and crew of 76 and a cast of 14. 

Lansbury worked 12-hour days, nine months a year. It is easy to forget that when you see how effortlessly she plays Mrs. Fletcher. Luckily, with the instantaneous wonder of DVDs and streaming, we can enjoy episodes like Night of the Headless Horseman over and over again and appreciate the work and talent involved. This one in particular is great to watch on an autumn afternoon cuddled up with a warm sweater and a cup of tea. 

From the Archives: Murder, She Wrote ( 1985 )

Angela Lansbury and Cyd Charisse are decked out in glamourous fashion for the second season premiere episode of Murder, She Wrote ( 1985 ) entitled "Widow Weep for Me". In this episode, the snoopy sleuth goes undercover as a wealthy widow at a posh Caribbean resort and meets up with all sorts of celebrities including Mel Ferrer, John Phillip Law, Anne Lockhart, and Ms. Charisse. 

From the Archives is our latest series of posts where we share photos from the Silverbanks Pictures collection. Some of these may have been sold in the past, and others may still be available for purchase at our Etsy store: https://www.etsy.com/shop/SilverbanksArchives

Check It Out! - The Definitive Guide to "Murder, She Wrote" Website

Are you a "Murder, She Wrote" fan? If you're not yet, then a visit to the website The Definitive Guide to "Murder, She Wrote" will make you one! 

The highly addictive mystery series premiered in 1984 with a star-studded pilot episode and went on to become one of the longest-running drama series in television history, lasting 12 seasons. Series star Angela Lansbury portrayed Mrs. Jessica Fletcher, a retired New England schoolteacher turned author who takes time out from writing to solve crimes...many of which take place in the not-so-sleepy village of Cabot Cove, Maine. 

Dr. Anne Del Borgo, a veterinarian living in Maine, put together this great website covering every episode of the series, trivia, an image gallery, interviews ( including one with series co-creator Peter S. Fischer ), and a really neat scrapbook chock full of clippings from newspapers, magazines, and press reports. There are also sections on the history of the series, statistics, and a bio of Angela Lansbury. 

For fans of the Murder, She Wrote book series there is a treasure-trove of material as well. You can find reviews of every book MSW-themed and plenty of stories submitted by fans just like yourself. 

Check it out and see for yourself! 

Click here to visit The Definitive Guide to "Murder, She Wrote"

TV/Movie Set: Bedknobs and Broomsticks ( 1971 )

It has been a long, long time since we have featured a TV/Movie set article, so to bring the series back to life, my sister and I selected a house design that we have loved for years - the Bedknobs and Broomsticks manor. It's so fitting for this time of year, too. 

This beautiful English Tudor belonged to Eglantine Price ( Angela Lansbury ), the heroine of Bedknobs and Broomsticks, a bewitching 1971 musical from Walt Disney Studios. The film tells the story of a would-be witch who attempts to learn the secret of the missing spell of "Substituiary Locomotion" in order to help England defeat the Nazis during World War II. 

Miss Price's secluded house overlooked the chalky white cliffs of Dover. It was an ideal place for her to practice witchcraft without the citizens of Pepperinge Eye knowing what she was doing. She was disappointed to get saddled with three orphaned evacuee children from London, but once they learned that she was an apprentice witch, they come to her aid and help her to locate the missing spell.

Here is a quick sketch of the layout of the interior of the house. Since only one side of the living room was shown, I left that part of the sketch undone. 

Let's take a look at the house more closely with some screenshots......

EXTERIOR

John B. Mansbridge, a fabulous art director who was in charge of many of Walt Disney's productions throughout the 1960s and 1970s, was the art director of this film and he did a beautiful job of recreating a World War II-era English manor. Peter Ellenshaw is also credited as art director for the production, but since he was a matte artist, most of his work was probably painting the exterior shots of the house ( see the two screenshots above ). 

Like many old manor homes, Mansbridge designed the house to look like it had a number of additions added to it over the years. The "original" house did not have a kitchen, so as you can see in the sketch, it is one of the additions and located off the living room instead. 

When Miss Price first arrives home with the children in tow, we see a glimpse of a stone wall behind her. Later in the film, this would be the wall that the Nazis attempt to climb when they attack her house. 

Miss Price's house is very strongly built. The local clergyman ( Roddy McDowall ) knows this, too, and when he comes to deliver a telegram for Miss Price he tests out her porch by jumping up and down on it! He wants to have her house as his own, although the reason why is never expanded upon in the script. 

LIVING ROOM

Our first view of the interior is the living room. Isn't it charming? Miss Price's house is filled with numerous chairs, bric-a-brac, and lots of pictures hanging on the walls. The old beams add character to the place and it makes one think of the interior of an old inn. 

In this scene, Miss Price is heading towards a closet to stow away her new broomstick and below we see the stairs leading up to the room which she will give to the children to use. 

You can see the dining room behind Miss Price in this screenshot:

When the Nazis take over her house ( because of its prime location overlooking the Channel ), they make the living room their "headquarters". That's John Ericson as the handsome young Nazi captain. 

Emile Kuri and Hal Gausman were responsible for the set decoration and they did such a wonderful job. Both Kuri and Guasman had worked as set decorators on other Disney productions such as The Parent Trap ( 1961 ), Mary Poppins ( 1964 ), That Darn Cat ( 1965 ), The Secret of the Pirates Inn ( 1967 ), and Blackbeard's Ghost ( 1968 ). 

As Miss Price leads the children up the staircase we see lots of prints of hunt scenes and animals on the wall and, in the children's room, there is a picture of a military officer and battle scenes which gives us a hint into the character of Miss Price's father ( it was once his house ). 

CHILDREN'S ROOM

The fact that Miss Price left his room unchanged and told the children to "be very careful of everything in it" tells us a little bit about her character. 

Carrie is given the devon to sleep on and the boys will share the brass bed. Later, this becomes a traveling bed when the famous "traveling spell" is applied to one of the brass bedknobs. 

It's a plain room, but it gets plenty of light from the window. It could do with some new wallpaper, however. 

"Now how's a ruddy big bed like that going to get out of this room with those little windows?" asks Charlie. He's at the "age of not believing" and doubts magic altogether. But as you can see, the bed does indeed whisk itself away!

DINING ROOM

We don't get to see much of the dining room in the film. It's small but cozy. Miss Price serves the children cabbage buds, rose seeds, and other vegetarian goodies. The kids naturally like Mr. Brown's cooking better - he makes sausages and mash!

KITCHEN

Speaking of Mr. Brown, here he is. This floundering magician helps Miss Price in her hour of need and the more time they spend together the fonder she grows of him. He was portrayed by that wonderful English actor David Tomlinson ( Three Men in a Boat, Mary Poppins ). 

The kitchen is very bright and cheerful and has a beautiful hearth stove in one corner. Miss Price also keeps the pantry well stocked with garlic ( does she believe in vampires, too? )

THE WORKSHOP

Just off the kitchen is a storage room which we only get a glimpse of when the door to the workshop is open. This is the entry way leading to Miss Price's "witching room". She practices all of the latest spells from Mr. Brown's Correspondance College of Witchcraft here. 

She was especially excited when she got to fly her first broom. Cosmic Creepers, her cat, watched as she came tumbling down from the sky after her first attempt. It takes some practice to work a broom properly. 

Miss Price didn't have too much luck the first time she tried the Substituary Locomotion spell either and the household wardrobe began to take on a life of its own. 

At the end of the film we see this view from the front of the manor. I wonder if Miss Price knew what a prime piece of property she owned! Perhaps she did, and that was why she wanted to defend her corner of England...even via witchcraft. 

Victorian Thrillers of the 1930s & 1940s

Victorian London, steeped in a dark and romantic aura, has always been the ideal setting for murders and mysteries in films of the 1930s and 40s. Lurking beneath the white facade of stately manors inhabited by fashionable ladies and gentlemen with high morals and social sensibilities lay seedy districts reeking with crime and misery....districts where foul deeds were not uncommon. Opium-addicts, prostitutes, music hall wenches, and rum-guzzling sailors were wildly cavorting with Destiny on a nightly basis.

It was this contrast between wealthy society and dredging poverty that gave birth to so many tantalizing stories of horror in the "Penny Dreadful”'s of the day; stories with characters like Sweeny Todd the Demon Barber of Fleet Street and Jack Sheppard. All of them were loosely based on news accounts these authors were reading about on a daily basis of the serial killer Jack-the-Ripper.

In these gentle times even whispers of innuendo were received by ladies with a good dose of smelling salts, nevertheless, these tales of true-life terror were repeated throughout the city and developed into short stories of legendary fame. They featured crimes that super-sleuths like Sherlock Holmes could solve on a weekly basis or settings that gentlemen thieves such as Raffles could prowl around in. Once motion pictures gained popularity, these stories were brought to life in visual splendor. One of the earliest films to depict this atmospheric era to perfection was Dr. Jekyll and Mr. Hyde (1931) starring Frederic March, Mariam Hopkins, and Rose Hobart. Director Rouben Mamoulian's pre-code horror classic transported audiences to a dark and dangerous London of the late 1800s, where they were able to witness first-hand the transformation of the reserved Dr. Jekyll into the hideous Mr. Hyde. 

Here are a few more well-known Victorian London thrillers brought to the silver screen :

The Mystery of Mr. X (1935) - This decisively Jack-the-Ripperish story features Robert Montgomery as our light-fingered gentleman hero who is being implicated as the killer of nine grisly London murders done by a murderer who always strikes in a different neighborhood and leaves his mark next to his victims…the signature of Mr. X! Peter Lawford starred in a remake of this tale in MGM’s The Hour of 13 (1952). 

The Adventures of Sherlock Holmes (1939) - A grisly midnight murder in a secluded city park, mysterious South American funeral dirges, suspiciously heavy footprints, missing crown jewels from the Tower of London and a puzzling drawing of an albatross add up to making this one of Sherlock Holmes’ most intriguing cases. Ida Lupino and Alan Marshall star with Basil Rathbone and Nigel Bruce in this second Sherlock Holmes feature from the 20th Century Fox studios. A visual Victorian feast for the eyes it be.

Dr. Jekyll and Mr. Hyde (1941) - MGM pulled out all the stops in this ultra-glossy gas-lit masterpiece based on Robert Louis Stevenson's classic tale of a man's double nature - the law-abiding Dr. Jekyll and the positively hairy sexual sadist Mr. Hyde, the creature within himself that he created whilst experimenting to scientifically suppress the evil nature residing within mankind. The all-star cast includes Spencer Tracy in the title role, Ingrid Bergman as buxom barmaid Ivy, Lana Turner, Donald Crisp, and Ian Hunter. Directed by Victor Fleming. 

The Lodger (1943) - Laird Crager, a great burly hulk of an actor, portrayed the very essence of a creepy social recluse in The Lodger where, as Slade - a quiet pathology student residing at the home of the Burtons (Sir Cedric Hardwicke and Sara Allgood) - he is suspected of being none other than Jack the Ripper. Gasp! The gorgeous moody photography of John Brahm transports us into the cobblestoned mire of Whitechapel through its heavy fog-encased settings, period detail, and its disturbing visual vignettes. George Sanders and Merle Oberon also star.

Gaslight (1944) – Charles Boyer, Ingrid Bergman and Joseph Cotton star in this intrepid MGM remake of the 1940 British classic Gaslight featuring Anton Walbrook and Diana Wynyard. Twenty years after a wealthy woman was murdered in her home in Thorton Square her niece moves into the London dwelling with her husband, a suave and sinister gentleman who plots to drive his wife mad because he has a dark secret to hide. MGM attempted to destroy all available prints of the English version of this psychological thriller but fortunately a few remained and today we can enjoy both editions on DVD. 

The Picture of Dorian Gray (1944) - Oscar Wilde's fantasy about the inner state of the soul of one Dorian Gray was given A-class treatment in director Albert Lewin's pet project The Picture of Dorian Gray, released through MGM. Silky smooth 26-year-old Hurd Hatfield played the title character (a role which made him very unpopular in Hollywood) along with an impressive cast including George Sanders, Donna Reed, Angela Lansbury, Peter Lawford and Sherlock Holmes veteran actor Miles Mander. Incidentally, Basil Rathbone wanted the role of Lord Henry but was overlooked because he was already being too closely identified with the legendary detective of Baker Street. Stunning cinematography, a strong narrative, and eye-popping Technicolor sequences make this a most memorable film.

Hangover Square (1945) - Laird Cregar returned to the screen as another downright suspicious madman, this time as a pianist who had to struggle with mental turmoil - and the compulsion to wreak destruction - whenever he hears the ping! of a certain note.John Brahm’s filming is atmospheric and eerie in its dreamlike sequences and the film has a great cast including George Sanders and Linda Darnell.