The Black Shield of Falworth ( 1954 )

In 1954, Universal-Pictures brought to the screen Howard Pyle's classic story of adventure "Men of Iron" and hailed that it would capture "all the pageantry and excitement of knighthood's epic age". The newly titled The Black Shield of Falworth did not accomplish that task as well as Warner Brothers' The Adventures of Robin Hood ( 1938 ) or Metro-Goldwyn-Mayer's Ivanhoe ( 1952 ) but it certainly is entertaining.

Young Myles Falworth ( Tony Curtis ) and his sister Meg ( Barbara Rush ) are sent to the castle of the Earl of Mackworth ( Herbert Marshall ), a dear friend of Myles' deceased father whom he never met. Here, Myles learns to become a squire and, later a knight, all the while attempting to learn about his family's crest - the Black Shield of Falworth - and to discover who his father was. 

While at the castle, he falls in love with the Earl's daughter, Lady Anne ( Janet Leigh ) and also becomes embroiled in a conspiracy plot led by the treacherous Earl of Alban ( David Farrar ) to overthrow King Henry IV ( Ian Keith ).

The Black Shield of Falworth is rich in plot, rich in Technicolor, it boasts a fabulous cast and features two great fight sequences, making it an entertaining - if not all that memorable - swashbuckler. 

Universal-Pictures knew they had a star in the making when they signed Bernard Schwartz to a contract in 1948. They taught him riding and fencing and changed his name to Anthony Curtis and then introduced him to audiences in a few budget westerns before awarding him his first feature film The Prince Who Was a Thief ( 1951 ) opposite Piper Laurie. Here was a different kind of swashbuckling hero - an overly-anxious and often hot-headed young man with a very pleasant personality, jet-black hair and a winsome smile.

This Middle Eastern-themed adventure film was followed by the similarly-themed swashbuckler Son of Ali Baba in 1952 and then The Black Shield of Falworth, which was Universal's first picture to be made in Cinemascope. 

Tony Curtis, who was 29-years-old at the time, is great in the part of Myles but the role really should have been given to a younger actor to play. The character of Myles is a mere teenager in the original novel and even in the film is often referred to as "the young lad" or "boy" which doesn't quite sound right since Tony was obviously a man at that time. 

Janet Leigh is lovely as Lady Anne; Torin Thatcher is a glove-fit for the part of Sir James, Myles trainer for knighthood; and Herbert Marshall, who always gives a good performance, is well-suited as the Earl. Unfortunately, David Farrar's talents are wasted, and Barbara Rush is given a merely decorative part. 

Also in the cast is the wonderful Dan O'Herlihy as Prince Hal, a young Patrick O'Neal, Rhys Williams, and Doris Lloyd. 

Professor Fate of "The Great Race" ( 1965 )

Blogathon season is in full force and Speakeasy, Shadows and Satin, and Silver Screenings have teamed up to devise the fiendishly clever Great Villain Blogathon to add to the mix. In our opinion there is no dastardly scheming archetypal villain greater than Professor Fate and so, naturally, we have chosen to spotlight him as our contribution to the event. 

The maniacal evil laugh of Professor Fate rings throughout The Great Race, Blake Edward's 1965 epic homage to the Golden Age of slapstick comedy. When he is not playing his four-tiered player-organ, Fate spends his energy hatching deviously diabolical plans to foil the Great Leslie. His all consuming passion is to become the greatest daredevil in the world, and only the tan-faced, spotlessly clean, lily-white clad Leslie stands in his way. When Leslie proposes a world-wide automobile race - the ultimate test in endurance - Professor Fate cannot resist the challenge to prove his superiority and what results is a wild and wacky adventurous match of two of the greatest slapstick daredevils filmdom has ever seen. 

Blake Edwards had great success in the early 1960s with such blockbuster hits as Breakfast at Tiffany's, The Pink Panther and A Shot in the Dark, but he had yet to make a epic comedy ( which he later became known for ) in the vein of It's a Mad, Mad, Mad, Mad World ( 1963 ).

The Great Race was to be his greatest comedy to date and, with such lofty intentions in mind, he plunged the generous sum of $6 million dollars into the project. Natalie Wood was - reluctantly - cast as the beautiful heroine of the picture, Maggie DuBois, a spunky suffragette who was always more than willing to put herself in peril for "the cause". 

Robert Wagner was Edwards original choice for Leslie Gallant III, but when he turned it down Edwards offered it to Charleton Heston, who thought it highly amusing, but nevertheless declined the part as well. George Peppard and Burt Lancaster were also considered before Tony Curtis was given the part ( Jack Warner's original choice ). 

" Ha, ha, ha.....Haaaaaaaa! "

While choices for the lead actors were hopping to and fro, there was no doubt in Edwards mind that Jack Lemmon was the man he wanted as Professor Fate. Complete with curling mustache, black cape and his sinister crooked top hat, Lemmon created a magnificent character role that defined what we have come to know as cliches of the "master villain". 

Peter Falk, who had given a marvelous performance as the Brooklyn taxi cab driver in It's a Mad, Mad, Mad, Mad World was cast as Professor Fates faithful servant, mechanic, henchman, and all-around dog, Max. Kennan Wynn, Arthur O'Connell, Dorothy Provine, Vivian Vance, and Larry Storch rounded out the "Great" cast. 

The Great Race took five months to complete and by the time it was ready for release, the enormous sum of $12,000,000 had been racked up on its bill. It became the most expensive comedy every made. In spite of Edward's great hopes for the film, it floundered desperately upon its initial release, with critics giving it mixed reviews ranging from "weak" to "adequate" in terms of belly-laugh ratings. Since then it has gained an enormous following with Professor Fate's engaging character being one of its most notable drawing features.

Professor Fate's Inventions

For years Fate and Leslie have been building elaborate contraptions to break speed records, soar to new heights, and make ladies swoon in terror of their unabashed bravery and continually Fate has tried to sabotage Leslie and send him to his doom. When the Great Leslie announces he will strap himself in a stray-jacket, hang upside down while an air balloon carries him high in the sky and wriggle free in time to descend safely to the ground, Fate is there - with a missile in hand - prepared to shoot him down. 

Like Wiley Coyote, destroying Leslie becomes Fate's all-consuming passion and he is ever ready with his ACME inventions to hail disaster down on his singular enemy. 

" Maaaaaaaaax!!!! "

When the Great Leslie attempts to break the speed record on water in his glittering white speedboat, Professor Fate and Max bring out their latest sound-seeking torpedo to blow him to smithereens. The plan backfires on him.

When the Great Leslie announces that he will drive the custom-built Leslie Special in an automobile race to end all automobile races, Fate hovers above in a two-cycled powered miniature zeppelin, prepared to destroy the car before it is even unveiled. He blows himself and Max up.

Fate is not just foiling the Great Leslie at every chance he can get....he is busily working at establishing himself as a great daredevil too. However, while Leslie has women swarming around him with puckered lips ready for kissing, the only crowds Fate manages to draw are jeering children and skeptical reporters. With his skull-faced equipment and loyal Max by his side, Fate always attempts the impossible, begins to get away with it...and then finds himself covered in the dirt of a humiliating crash. 

When the Great New York to Paris automobile race is announced, Fate takes up the gauntlet and enters himself and his greatest invention to date into the race - the Hannibal Twin-8. This machine, which hardly resembles an automobile, was built with endurance and villainy in mind. It features six wheels ( complete with caterpillar tracks ), an ice-melting heat iron, miniature cannon, smoke generator and an escalating mechanism. 

Jack Lemmon took the typical silent-era style villain and raised him to magnificent heights in his portrayal of Professor Fate, creating a character that entices the audience to hiss, jeer, boo, and cheer all in one breath. What other villain inspires children to write "Fate is a Fink" on the gates outside his house? He is a failure through and through ( even his initials bring to mind the dreaded school grade of "F" ) and yet one can't help applauding him for his marvelously cunning mind and unstoppable drive. 

Professor Fate became such an inspiring creation that Hanna-Barbera continued the character on in their cartoonified Great Race animated series, The Wacky Races. Fate became the famous Dastardly Dan, while Max was incarnated into what he truly was - a big shaggy dog. Today, children the world over still love these cartoons and they are introducing them to the great film that is The Great Race. 

Hot Like Sugar

Marilyn Monroe, Jack Lemmon and Tony Curtis in a scene from the classic Billy Wilder comedy "Some Like it Hot" ( 1959 ). Sugar Kane and Jerry are having a ball while Joe poses as the millionaire heir to Shell Oil. When Some Like it Hot was released it was issued a "C" rating from the National Legion of Decency and this film, along with Hitchcock's Psycho, contributed to the end of the Production Code. Well, some like it hot and some do not.