The Private War of Major Benson (1955)

Atten-shun!! Get ready to muster for some good family entertainment with The Private War of Major Benson, a little-known gem of a comedy from Universal Pictures. 

Charlton Heston stars as Major Benson, an overly strict army officer but one whose bark is worse than his bite. He opened his mouth once too often and ended up being booted from active service and assigned to command a military boarding school co-run by Catholic nuns. The "men" he needs to drill into soldiers range from age six to fifteen, one of whom has trouble keeping his pants up. 

"We've gotta turn these milkshake drinking school boys into whiskey drinking soldiers!"

If it isn't humiliating enough to be in this position, Major Benson gets pegged ten notches lower when the boys go over his head and sign a petition to have him ousted. Benson then does some soul searching to discover where he went wrong as a leader and, with the aid of Mother Redempta (Nana Bryant) and the lovely Ms. Lambert (Julie Adams), he tries to win back their approval. 

The Private War of Major Benson was one of many entertaining family comedies that Universal Pictures released in the 1950s. This came a year before Heston donned sandals and staff to portray Moses in Cecil B. DeMille's The Ten Commandments. No matter how rough Heston pretended to be as Major Benson, he still comes out looking like a swell guy - a little chipped, but still lovable. 

At least, the school's doctor Ms. Lambert aka "Lammy" thinks so. The boys think otherwise, especially little "Tiger" played by the scene-stealing Tim Hovey. The other boys who consider Benson a fink include Tim Considine, Sal Mineo, Butch Jones and Gary Pagett. 

"This is our school's founder. He was canonized in 1857." - Mother Redempta [showing Benson a portrait of a priest] 
"Aw, gee... That's too bad." - Major Benson

Jerry Hopper does a great job of directing The Private War of Major Benson and keeps the fun going from start to finish. The script was penned by Joe Connelly and Bob Mosher who later created "Leave it to Beaver" on television. Also in the cast is William Demarest as the school's handyman, Milburn Stone as Benson's commanding officer, and Don Haggerty. Major Benson doesn't have the makings of a four-star general, but he gets four stars for entertainment!

Wintry Westerns - 8 Classic Westerns Set in Winter

I love westerns. I don't review them nearly as often as I should but I certainly do watch plenty of them! And, at this time of year, the best westerns to watch are the Wintry Westerns....those that are set in snowy locales. Most westerns take place in dusty desert areas such as Arizona and Texas or in lush green cattle-grazing lands like Wyoming and Colorado so this is a small niche. They are great to watch on a cold winter's day with a cup of hot cocoa, especially when the snow is falling outside.

I'll share with you some of my favorites ( from the oldest to the newest ) and hopefully, you'll share some of your favorite wintry western titles as well. 

THE WILD NORTH ( 1952 ) 

Stewart Granger plays a trapper accused of murdering a man in a Canadian village. He takes refuge in the mountains but can't shake a Mountie ( Wendell Corey ) off his trail. Instead, during a fierce snowstorm, they band together to battle the forces of nature and survive in the "wild North". This is one of my favorites, not only because of the great location scenery of Idaho ( not Canada ) but because of the presence of Stewart Granger and Cyd Charisse as an Indian maiden. 

BACK TO GOD'S COUNTRY ( 1953 )

Perhaps this might not qualify as a western, but it takes place in the 1870s in snowy Alaska, so that's close enough for me. Rock Hudson plays an American sea captain who is taking a cargo of furs down to the states from Canada via dogsled. Contending with the weather is harrowing enough, but Rock also has a broken leg and two dangerous villains on his heels. 

TRACK OF THE CAT ( 1954 ) 

Robert Mitchum stars in this visually striking western as the son of a ranching family who heads out into the snow to track down a panther who is killing the family's livestock. Diana Lynn and Teresa Wright co-star and yes, that's William Hopper Jr. with a beard. Director William Wellman's son stated that his father created the picture as a "black and white film shot in color" with specific pops of color adding a beautiful splash to the overall monochromatic look. 

DAY OF THE OUTLAW ( 1959 ) 

"A day you'll never forget!" declares the poster to this Robert Ryan film. Unfortunately, I did forget most of this gritty western, but I do remember the winter landscape and Burl Ives cutting a powerful image on horseback. It's about a cattleman trying to save a small frontier town from Burl Ives and his gang of thugs. 

WILL PENNY ( 1967 ) 

This film starts off as a regular "sunny" western but about half way through we see the winter scenes. Will Penny ( Charlton Heston ) is an aging cowboy who gets a line camp job on a large cattle spread and finds that there is a woman ( Joan Hackett ) and her son already living in the cabin he is supposed to occupy by himself. He lets them stay over the winter and protects his "family" when the wicked Quint ( Donald Pleasance ) invades his home. 

THE GREAT SILENCE ( 1968 ) 

Spaghetti westerns are one of those genres that you either love or hate. I could live without them - especially the brutal ones - but I had to include this film because it is set is a snow-covered Utah and is renowned for being one of the best spaghetti westerns ever made. It's about a mute gunfighter who takes it upon himself to defend a group of outlaws from a band of bloodthirsty bounty hunters. Jean-Louis Trintignant, a French actor who couldn't speak a word of English, starred as the mute gunslinger "Silence". 

McCABE AND MRS. MILLER ( 1971 ) 

Warren Beatty and Julie Christie star as a gambler and a prostitute who become business partners in a brothel in a remote mining town. Their business trives until a major corporation comes to buy them out. This film is often cited as one of the first "anti-westerns" because it features no gunfights and no heroes but our purpose it can be classified as a western. McCabe and Mrs. Miller really captures the cold environment of winter and features some beautiful filming from director Robert Altman. 

JEREMIAH JOHNSON ( 1972 )

Robert Redford stars as mountain man Jeremiah Johnson in this outdoorsman's adventure set in the beautiful hills of Utah ( and filmed on Redford's recently acquired Sundance ski area ). Johnson is a  Civil War veteran who abandons mankind and heads for the mountains of Utah to become a trapper. With the help of another grizzled mountain man ( Will Geer ), he learns to live of the land but must contend with hostile natives when he incurs the wrath of a Crow chief. 

Charlton Heston - Mister Epic

His close friends call him "Chuck". But to filmgoers all over the world he is known as Charlton Heston, a six-foot two-inch giant of a man and the star of such mighty epics as The Greatest Show on Earth, The Ten Commandments, Ben-Hur, and El-Cid. 

Heston was recently asked why it was that he always appeared in big-budget films. "It's a matter of faces," he smiled. "I guess I just have to face the fact that I have a thousand-year-old face. I seldom get the chance to wear a modern-day suit. I spend most of my life in a toga.

"But I am worming my way back into the 20th century. I made a movie in Italy early this year titled The Pigeon That Took Rome. I'm playing the part of a U.S. Navy spy sent to the Eternal City in advance of its liberation by Allied Forces during the last war. Then after this, I really came up to the present day with a part in Diamond Head which we made in Hawaii. Then it was back to Madrid to start work on 55 Days at Peking with Ava Gardner and David Niven. It's the story of the Boxer Uprising in 1900, guess I'm heading back to those biblical days again," he laughed. 

Does he enjoy working on large-scale pictures?

"Yes, I do very much," he said. "But believe me they're hard work. I sweated out nine months working on Ben-Hur. It was a tough assignment. One of the most exacting roles I've ever played. I had to be 100% fit all the time. But I feel we came up with a worthwhile picture. It was all worth it."

Charlton is an actor who believes in almost living with the character he portrays. 

"I often take the character home with me after I've finished a day's shooting, " he says. I'm moody when I get home. But if my family are with me, they understand what has brought on the mood. It takes me a couple of hours to become Charlton Heston again. Any actor worth his salt tries to believe in the events which he is trying to portray. In fact, while I was working on The Ten Commandments in the part of Moses, I actually felt at times that I had become Moses. Before I started work on the picture I read through twenty-two volumes on the life of Mose. It was a fascinating experience. I always believe in conducting thorough research on the characters I'm asked to play. I like to get underneath their skins, discover what kind of person they really are."

Heston himself is a man of many controversial opinions. He speaks his mind whenever he wants to. Once he criticized a number of leading feminine Hollywood stars. "Some of them," he said "are very unprofessional in their attitude. They don't care very much about what they're doing. They're too disenchanted by the movie star bit and tend to regard it as a social engagement. The industry has created its own monsters and they're all feminine."

In Charlton Heston, Hollywood has created an actor of great talent, an actor who is admired and respected throughout the entire industry. 

This article originally appeared in the 1962 edition of Film Show Annual. Movie Magazine Articles, another one of our ongoing series, feature articles like this reprinted for our reader's entertainment. Click here to find more posts in this series!

The Buccaneer ( 1958 )

"There comes a time when a man wants to change...belong to something, or maybe someone."

The pirate and privateer Jean Lafitte had warehouses of stolen loot, a beautiful house on the private island in Barataria Bay, and freedom to do as he pleased, but he lacked respect from the one woman he loved, Annette Claiborne. This woman instills in him a love for the still infant American nation strong enough to make him surrender his pirating ways and seek to become a citizen. But first he must prove to Governor Claiborne, Annette's father, that he is not in league with the British who are about to send thousands of troops into Louisiana to squash General Andrew Jackson's defense of the territory. 

In 1956, director Cecil B. DeMille had found great success with the remake of his silent film The Ten Commandments, and so he undertook another remake of a favorite film of his, The Buccaneer, first made in 1938 with Fredric March in the lead. During the making of The Ten Commandments, DeMille had suffered a heart attack but he had sufficiently recovered to believe that he was capable of undertaking another epic production. He was wrong. Shortly after the initial planning of The Buccaneer, DeMille realized that his health would not permit him to make the film and so he passed the directorial wand to his son-in-law, Anthony Quinn. 

Quinn had never directed a feature film but was willing to give it a try with his father-in-law helping to guide the production. This was the primary reason DeMille had selected Quinn - in order to have full control of the final production. Both came to regret this decision. DeMille was displeased with the film that Quinn had helmed and made editing changes to it before its release that Quinn did not like. 

Just why Cecil B. DeMille and Anthony Quinn were dissatisfied with the final result is difficult to fathom. While it is true that The Buccaneer lacks the compelling drama of The Ten Commandments, the film is colorful, entertaining, and does pack quite a bit of adventure into its 119-minute runtime. The battle scene at the end of the film is particularly thrilling with the bagpiping British troops appearing from the fog (a scene that Walt Disney's Bedknobs and Broomsticks would later echo). 

Unfortunately, the script to The Buccaneer, based upon the 1938 film, has mere threads of real history in its plot. Instead, the screenwriters (Jesse Lasky Jr., Berenice Mosk) fashioned a script that captures merely the flavor of the era and its setting. You can't ask for everything.

Yul Brynner, sporting a rare mop of hair, gives a convincing portrayal of the good-hearted privateer longing for a place to anchor. Lafitte is a likable and sympathetic character, as is his companion General Dominique You, played by Charles Boyer. "Of all the men in the world, I never wanted to fail you," Lafitte tells the General in a poignant scene when Lafitte realizes that his friendship with the General may be the price he has to pay for American citizenship. 

Charlton Heston, who is always a pleasure to watch, gives a powerful performance as General Andrew Jackson, reprising a role that he had played in The President's Lady (1953). Taking care of "Old Ironface" Jackson, making sure that he drinks his hot milk every night, is Mr. Peavy, played by the great character actor Henry Hull. 

The ladies are equally engaging. Inger Stevens, that icy blonde from Sweden, stars as the beautiful Annette Claiborne. She is in love with the pirate and is willing to surrender her status as a Southern society belle to sail off with him into the open sea. The marvelous Claire Bloom plays Bonnie Brown, a feisty tomboy who wants Lafitte as well. But her love is so deep she would rather see him wed to Ms. Claiborne than be with her. 

"You're a fool! She's everything you ever loved and fought for. You gave up everything you had, everything you are. Jean, even I don't want to see you lose her now."

Also in the cast is E.G. Marshall, Lorne Greene, Ted de Corsia, Douglass Dumbrille, and Fran Jeffries. 

At the box-office, The Buccaneer did poorly, bringing in only $3 million dollars in revenue, not even recuperating its $5 million dollar budget. When discussing the films of Cecil B. DeMille, The Buccaneer is rarely mentioned, even though his handiwork is clearly evident in many of the scenes. DeMille is also credited at the beginning of the film before the titles appear. But perhaps modern critics consider the production too run-of-DeMille to be even mentioned among his works. 

On the Set of The Ten Commandments ( 1956 )

Tonight, as part of television tradition, ABC will be airing The Ten Commandments in honor of Passover week. For those who are unfamiliar with the film ( were you wandering in the desert wilderness with Moses? ), this 4-hour production tells the story from the Old Testament of Moses, the prince of Egypt ( portrayed by Charlton Heston ), who discovered that he was the true son of a Hebrew slave woman and renounced the throne to join his people. Years later, on Mount Sinai working as a shepherd, he hears the voice of the Lord speak to him, selecting him to lead these Hebrews out of slavery and out of Egypt into the Promised Land.

2018 marks the 55th year that this epic Cecil B. DeMille production has been televised on ABC ( except for 1999, the only year they dropped it )...and so, to honor and join in the celebration of this favorite annual occasion, we have compiled a little gallery of snapshots featuring behind-the-scenes photos taken on the set of The Ten Commandments. 

Happy Passover and a Blessed Easter to all of our readers! 

John Carradine, Martha Scott, Charlton Heston, Olive Deering, and Anne Baxter discuss the script with director Cecil B. DeMille. 

Charlton Heston, dressed as Prince Moses, stands in front of one of the many massive sets seen in the film. 

"Hello, valet service? Would you bring my chariot around to the front gate in ten minutes? Thank you!"

Filming the spectacular scene featuring Moses' return from his journey to Ethiopia. 

Yul, with his ever-present camera, capturing a snapshot of a gritty looking Moses in chains. 

Heston gets his chains tightened for Moses' dramatic entrance.

Cecil B. DeMille getting a light-reading for the opening sequence featuring Miriam and Baby Moses in the reeds. 

The construction of Bithiah's bathing pavilion, complete with palm trees. 

Yvonne DeCarlo seeing what the behind-the-camera viewpoint is like. 

Anne Baxter, as Nefertari, smiles at the camera while Cecil B. DeMille gives some last-minute direction to Yul Brynner.

Extras waiting in the blazing California sun to make their brief appearance in the movie.

Donald O'Connor visits the set during the filming of the brick-making scene. 

Charlton Heston gives Yul Brynner a good-luck handshake before filming commences. 

Charlton Heston and extras standing before the "blue screen". Heston still strikes a powerful figure, even without the parting sea behind him.

COSTUMES, COSTUMES

Yvonne De Carlo, as Sephora, modeling her shepherd's gown for a wardrobe test. 

Edith Head discusses a wardrobe matter with DeMille about one of Sephora's costumes, while Yvonne DeCarlo adjusts her earring.

A John Jenson sketch of one of the costumes worn by Dathan ( Edward G. Robinson ). Perhaps another actor was considered for the role of Dathan because this man hardly resembles Robinson!

Heston, as Moses, poses for this costume test. This is the shaggy shepherd suit he wears before he heads up to Mt. Sinai to be transfigured.

Nina Foch, as Bithiah, lounging in one of the many beautiful Edith Head costumes seen in The Ten Commandments.

Not only did costumes undergo color tests but eye color, too! Here, Debra Paget, poses for a photo with her "own eyes" compared to using contact lens.... 

....as seen here. Can you guess which option they went with for the final film?

Anne Baxter and Yul Brynner had the best looking costumes in The Ten Commandments and this garment was especially impressive. The white and red colors on the hedjet/crown atop Ramses' head represents the unity of Upper ( white ) and Lower ( red ) Egypt.

Moses, looking splendid in his leather tunic. 

One of the many beautiful gowns that Anne Baxter gets to wear as Nefertari. This one may possibly have been designed by Edith Head but Dorothy Jeakins also worked on the film.

Another Nefertari costume sketch.

When it comes to the fashion industry, sometimes the sketches look better than the costumes in reality, but not in this case. Anne Baxter knows how to fill out this sheer garment!

Debra Paget as Lilia, complete with leather slippers and her water cask.

The Greatest Show on Earth ( 1952 )

For Cecil B. DeMille there was no such thing as a regular feature film...it always had to be a spectacle. 

Circus films were a dime a dozen in the 1930s, but none of them really captured that thrill of seeing a circus in person. A circus was meant to be a spectacle, and the circus itself had to take the center ring in a film; it couldn't be relegated to merely a background setting. 

Cecil B. DeMille knew all this, and he also knew that if he wanted to see a honest-to-goodness tribute to the American circus he would have to make the film himself. 

As early as 1949, DeMille started the wheels of production spinning. He spent over a year touring with Ringling Barnum and Bailey Circus, photographing the best acts in the business and discovering ways to transport that thrill of a real circus onto the big screen. What resulted was indeed The Greatest Show on Earth, a spectacle beyond all spectacles. This film really packs a punch and captures everything audiences love about the circus - daring acts on the flying trapeze, elephants on parade, glittering costumes, the smoky atmosphere within the tent, the heroic natures of the stars of the rings, even the drama of the circus people themselves. 

This drama centers around Brad Braden ( Charlton Heston ), manager of the Ringling Brothers circus. He has just engaged The Great Sebastian ( Cornel Wilde ), a popular trapeze artist, to ensure a full profitable season, even though it means moving his girlfriend Holly ( Betty Hutton ), another trapeze artist, from her hard-won center ring. Sebastian and Holly begin a playful, but dangerous, one-upmanship duel in the ring until the inevitable accident stops the show. 

James Stewart also has a big part as a former doctor now in hiding from the police for a mercy killing several years back. To keep his identity a secret he never removes his makeup as Buttons the Clown. It is not until Brad's life is endangered in a massive train wreck that Buttons must reveal his true profession. 

Gloria Grahame, Lyle Bettger, Dorothy Lamour, and Henry Wilcoxon make up the rest of the cast, in addition to 85 acts from the Ringling Brothers circus including aerialist Antionette Concello, midget Cucciola, and veteran clowns Emmett Kelly and Lou Jacobs. All of the scenes within the tent were filmed at Ringling Brothers' winter home in Sarasota, or live during one of their performances. Obviously, the circus pros had no issues doing the stunts, but what was most impressive was how well Cornel Wilde ( who had a fear of heights ) and Betty Hutton performed on the trapeze. It took them months to learn their technique and it clearly showed. Had their Hollywood careers fizzled, they could have easily joined up with a circus. 

When The Greatest Show on Earth premiered its box-office receipts were higher than even The Great Sebastian could soar, with kids of all ages packing the theatres in droves. It's no wonder, too.....Cecil B. DeMille paralleled the real Ringling Brothers circus and gave audiences one great moment after another to behold in this star-studded spectacle. 

Fredric Frank and Barre Lyndon penned a cotton-candy script with a straightforward plot line because, after all, who comes to a circus to be engrossed in deep drama? We want to have fun, ooh and aah at some thrilling acts, and see plenty of spangles and sawdust. 

So next time you're itching to go to the circus, get yourself some popcorn, and sit back and enjoy The Greatest Show on Earth. 

This post is our entry in the "At the Circus Blogathon" being hosted by Critica Retro and Serendiptious Anachronisms. Be sure to head on over to their blogs to read more reviews about circus films!

Secret of the Incas ( 1954 )

Before Indiana Jones, there was Harry Steele, a rugged, charismatic, and fast-quipping treasure hunter with a thick strain of thievery in him. Charlton Heston stars as this handsome ne'er-do-well in Secret of the Incas ( 1954 ), Paramount's contribution to the jungle bonanza that swept Hollywood in the early 1950s. 

Harry Steele has just one thing on his mind - getting his hands on the golden Sunburst, an Incan treasure. He works part-time as a tour guide in a small village in Peru, biding his time till a plane arrives en route anywhere out of that village. 

That day comes when Elena Antonescu ( Nicole Maurey ) sets foot in town. Elena left Romania illegally and currently has two immigration officials on her tail....they happen to arrive with a small plane. Along with the curvaceous red-head, Harry steals the plane and then sets off for Machu Pichu to search for the legendary Sunburst, a huge golden disc long thought to have been stolen by ancient grave robbers.  

Secret of the Incas was the direct inspiration for George Lucas' Indiana Jones trilogy, and it's no wonder, the film combines all of the elements of an ideal adventure flick : a tough-talking hero, a witty script, and loads of exotic atmosphere....in this case, Incan atmosphere. Lucas even borrowed Harry's signature weathered leather jacket and wrinkled hat. 

The film also boasts a strong cast which includes Robert Young as a compassionate archaeologist, Glenda Farrell as a married hussy, and Yma Sumac, the Amazonian songbird. Sumac toured throughout the world during the 1940s and 1950s but rarely appeared in films. In her debut, she demonstrates her remarkable five-octave vocal range in three native-inspired numbers. Thomas Mitchell is also marvelous ( when is he not? ) as shyster Morgan. 

Like most jungle films of the 1950s, Secret of the Incas has its fair share of corny dialogue and cheap sets, but, nevertheless, it is high in entertainment value. Charlton Heston is especially appealing as the unscrupulous fortune hunter, a role that only he could play so well. It's a pity that another Harry Steele adventure did not follow.