Saturday, October 26, 2019

Ghost Story aka Circle of Fear ( 1972-1973 )

In 1972, William Castle, the director of films such as The Tingler, House on Haunted Hill, 13 Ghosts, and Straight-Jacket, tried his hand at producing a horror-themed anthology series entitled Ghost Story.

Sebastion Cabot was the host of this hour-long series, which lasted only 23 episodes. He went by the name of Winston Essex and introduced each episode from "Mansfield House" ( Hotel Del Coronado ) the hotel that he owned. In each episode, Mr. Essex would reveal an unusual tale about one of his guests, usually involving supernatural elements, vampires and witches. 

The premise of the series was excellent and the show featured some top-notch guest performers including Carolyn Jones, James Franciscus, Gena Rowlands, Jodie Foster, Helen Hayes, Melvyn Douglas, Craig Stevens, Patricia Neal, and Susan Oliver. Ghost Story also boasted an impressive line-up of writers such as Richard Matheson, Robert Specht, Anthony Lawrence, Seeleg Lester, D.C. Fontana and Robert Bloch. The scripts to the series had to be approved of by the show's script-advisor Jimmy Sangster, a British screenwriter who is well-known among Hammer Film fans for writing X: The Unknown, The Curse of Frankenstein, The Mummy, Dracula: Prince of Darkness and many other films ( including The Nanny ).

The 1970s were the heyday of horror TV movies and anthology series and Ghost Story ranks among the top with Brian Clements' Thriller and Rod Serling's Night Gallery. William Castle, whose idol was the Master of Horror, Alfred Hitchcock, had hoped to create his own version of the Hitchcock series for modern audiences and he succeeded in doing this.
Ghost Story was given an ideal timeslot ( the show aired on NBC on Friday nights at 9pm ) but it failed to garner high ratings and, midway through the season, Sebastian Cabot was dropped as the host and the show was renamed Circle of Fear in the hopes that it might get a rating boost. It did not, and the series was canceled after its single-season premiere. Nevertheless, we have 23 delightfully eerie episodes to entertain us, all of which have been released on DVD in a beautifully remastered format. 

Below are some of our choice picks from this supernatural series. 

TOP FIVE EPISODES

The New House ( March 17, 1972 )

This story, the pilot episode, was based on a tale by horror writer Elizabeth Walter entitled "She Cries". It featured a young couple who move into a home that is haunted by a girl who had been hanged there many years ago and vowed never to be evicted from the house. Barbara Parkins and David Birney play the twosome who are in for a fright; Sam Jaffe also has a great part as the local historian De Witt. 

Alter Ego ( October 27, 1972 )

Bobby ( Michael James-Wixted ) is a very bright student with a fondness for chess. A sickness keeps him at home for several months, during which time he meets his "doppelganger". At first, he is pleased to have a playmate but then he begins to fear him....especially when his villianous double decides to venture to Bobby's school to terrorize his favorite teacher Miss Gilden ( Helen Hayes ). 
House of Evil ( November 10, 1972 )

When Grandpa ( Melvyn Douglas ) arrives for a visit, he brings a couple of unique gifts for his deaf/mute granddaughter, Judy ( Jodie Foster ): the ability for her to hear his thoughts and a special miniature dollhouse. The "kindly" Grandpa wants to use Judy to cast voodoo spells upon the members of her household. After watching this episode you'll never look at a cookie the same way again. 

Time of Terror ( December 22, 1972 )

If you want to truly feel some tingles down your spine, check out this thrilling episode. Time for Terror stars Patricia Neal as Ellen Alexander, a woman who wakes up alone in a hotel room to discover that her husband Harry is missing. The front office simply tells her that he has "checked out"....but as she soon finds out, it is she who has "checked out" of life and not he!
Earth, Air, Fire and Water ( January 19, 1973 )

This episode proves that the subject matter of a horror story need not be horrific in itself if what it implies is frightening....and this one certainly is! The horrible objects, in this case, are merely a collection of six colorful jars. A group of artists discovers these containers in a trunk that was left behind in the dilapidated shop that they recently rented. The "evil air" within these jars permeates the atmosphere of their studio until, one by one, these artists find themselves creating more and more sinister art. 

If you want to read more in-depth reviews of these episodes, we highly recommend checking out the blog John Kenneth Muir's Reflections on Cult Movies, which is where most of these screenshots were obtained. 

Wednesday, October 23, 2019

The Seventh Cross ( 1944 )

In Germany, in the year 1936, seven prisoners escape from a concentration camp. One by one they are caught and their bodies are placed on crucifixes at the camp as a warning to others who may attempt escape. Only one man from these seven, George Heisler ( Spencer Tracy ), remains uncaptured and it is his escape from the Nazi's Gestapo that becomes the dramatic premise of MGM's The Seventh Cross ( 1944 ). 

Metro-Goldwyn-Mayer studios made a number of excellent espionage films right in the midst of the war. "The Seventh Cross" was a novel written by Anna Seghers that the studio had purchased to adapt as a film. The novel had all the makings of a blockbuster hit and indeed, the film itself raked in a tidy profit, but in comparison to other espionage pictures of the era, The Seventh Cross, lacks a few qualities that could have elevated the film to becoming a real classic. 

While Spencer Tracy gave a wonderful performance as our lead character George Heisler, Robert Taylor would have been more suited to the role. Tracy just wasn't convincing enough to be a bitter hard-hearted escapee from a concentration camp. His character has little dialogue throughout much of the film and Tracy's eyes were not expressive enough to convey what he was feeling in these scenes.....hence, the audience is given off-screen narration by Ray Collins to help us better understand his plight. 

At one point in the story, George hides at an inn where a pretty maid ( Signe Hasso ) aids him in hiding from the Gestapo. Within a few hours we are to believe that she falls in love with him, but this, too, would have seemed more plausible with Robert Taylor in the lead instead of Tracy. 

George Heisler's past could have been established better, too. Helen Deutsch's script smoothly avoided the topic of why George was put in a concentration camp in the first place ( the novel explained that he was a Communist ). For a brief moment, we are shown a flashback of George's sweetheart Leni ( Kaaren Verne ) vowing that she will love him always. He flees to Leni's apartment as soon as he escapes the camp only to discover that she refuses to aid him - and is now married to a German officer! This, of course, is a major shock to George but it fails to elicit much emotion from the viewer because Leni's character was given less than 3-minutes of screentime in the flashback scene, which is hardly enough time to flesh out a character. 

Nevertheless, The Seventh Cross has many redeeming highlights, most notably a fantastic performance from Hume Cronyn which earned him a Best Supporting Actor Academy Award nomination. Hume portrays Paul, an old friend of George's who is willing to shelter him from the Nazi's and help him find underground connections who can arrange his escape out of Germany. Cronyn's wife Jessica Tandy is also given a wonderful part as his character's wife Liesel. It is worth watching the film for the performance this dynamic duo alone gives. 
Fred Zinnemann ( High Noon, From Here to Eternity, The Nun's Story ) helmed the production for the film and, even at this early stage in his career, it was evident what a skillful director he was. 

The Seventh Cross also boasts an amazing cast of supporting players including Herbert Rudley, Agnes Moorehead, dear Felix Bressart, Stephen Geray, George Macready, George Zucco and Eily Malyon.

Thursday, October 17, 2019

British Pathé - Plastic Skeletons ( 1965 )

Ever wondered how your body is structured? If you were curious enough, you've probably examined a model of the human skeletal system. Medical students need to look at skeleton models in detail to understand how the body moves the way it does.....and that is where plastic skeletons come in handy. 

This 2-minute British Pathé newsreel from 1965 shows how these boney figures are made. At 36 pounds per skeleton, they were quite costly but you can see that they were assembled one bone at a time....quite a laborious task! 

Prior to the development of plastic, real human skeletons were used....which, of course, were even more costly to obtain. Surprisingly, the narrator mentions that most of the human skeletons that students use to view came from the Middle East but ever since countries made restrictions about shipping out human bones, the sales of these plastic skeletons have increased. 

Today, most skeletons are made in China from PVC plastic but they are receiving competition from India, where they can be obtained for $250-$500 and are much more accurate. Want to pick a bone about that? This interesting article claims that many medical students are not even satisfied with these models and are once again obtaining real human bones from gravediggers. 

https://www.thenational.ae/world/booming-business-in-bones-demand-for-real-human-skeletons-surges-in-india-1.111275


Click here to view Plastic Skeletons ( 1965 ) 

Similarly-themed British Pathé newsreels: 


Skeletons ( 1953 ) - 1:04 minutes

Skeleton Staff ( 1963 ) - 2:34 minutes

Tuesday, October 15, 2019

From the Archives: The Haunting ( 1963 )


Claire Bloom, Russ Tamblyn, Julie Harris and Richard Johnson pose for this great publicity shot for The Haunting ( 1963 ). Director Robert Wise launched a new era of horror films with this thrilling ghost story and proved that fear can be invoked without displaying gore. 

From the Archives is our latest series of posts where we share photos from the Silverbanks Pictures collection. Some of these may have been sold in the past, and others may still be available for purchase at our eBay store : http://stores.ebay.com/Silverbanks-Pictures

Saturday, October 12, 2019

Rome Express ( 1932 )

"Romance and Adventure Roaring Through the Night!"

A valuable Van Dyck painting has been stolen from an art museum in Paris and the thief (Conrad Veidt) is onboard the Rome Express heading to Italy. This sinister criminal is in search of a Mr. Poole (Donald Calthrop, Blackmail) who snatched the painting from him in an attempt to double-cross him. 

There is also a motley band of characters onboard the train whose lives will all intertwine with this criminal during the course of their journey to Rome. There is Asta Marvelle (Esther Ralston) a beautiful American movie star; Alistair McBain (Cedric Hardwicke) a millionaire philanthropist who is traveling with his secretary Mills (Eliot Makeham); a pair of adulterous lovers (Harold Huth and Joan Barry); a golfing bore (Gordon Harker); and a beetle-hunting police chief (Frank Vosper). 

Rome Express was one of the very first thrillers set on a train and it inspired a number of similarly themed films, including Alfred Hitchcock's The Lady Vanishes (1935). Walter Forde beautifully directed this taut little picture and utilized a number of innovative filming tricks including long panning shots and fast cuts between scenes, but what makes it truly stand out is its snappy dialogue by Frank Vosper and Sidney Gilliat who, not surprisingly, also penned the scripts to The Lady Vanishes and Night Train to Munich (1940).
Rome Express speeds along at a fast pace and is never tiresome. The ending could have been tied up a little more snugly but on the whole, it is good entertainment. The interactions between the various characters, most of whom are strangers to one another, drive the story forward and in this respect, Rome Express is similar to The Ghost Train (1931), which, not surprisingly, was also directed by Walter Forde. 

Conrad Veidt, who was making his English-speaking debut, is devilishly charming as the villain while Cedric Hardwicke is entertaining to watch as the penny-pinching philanthropist who delights in being demeaning to his secretary Mills. Also in the cast is Hugh Williams and Finlay Currie.
Rome Express is currently available on DVD and Blu-Ray through Network Distributing. 

Thursday, October 10, 2019

The Impossibly Difficult Name that Movie Game

A man, a gate, and a fountain.....put your thinking caps on for this one because we think this is a really challenging round of The Impossibly Difficult Name that Movie Game. Stay tuned later this month, for on Halloween we are going to have a special edition of The Impossibly Difficult Name that Movie Game with some spooky-ooky prizes.

As always, if you are not familiar with the rules to the Impossibly Difficult Name that Movie game or the prize, click here!


GAME OVER. 

Congratulations to Vienna for correctly identifying this screenshot from "The Seventh Cross" ( 1944 ) starring Spencer Tracy and Hume Cronyn. In this scene, Konstantin Shayne is following Spencer Tracy into a walled garden to discuss their plans for escape from the Gestapo. 

Thursday, October 3, 2019

The Spoils of Poynton ( 1970 )

Adele Gereth ( Pauline Jameson ) has amassed antique treasures that she and her late husband collected from around the world. She stores all of these in her Jacobian estate "Poynton". She hopes to pass Poynton and its furnishings to her son Owen ( Ian Ogilvy ) and the woman he chooses as a bride, but when she meets his choice, Mona ( Diane Fletcher ), she is sorely disappointed and refuses to part with the possessions. Mona, who had not the slightest interest in the antiquities, now feels rebuffed and is angry towards Owen for not taking her side and waging a legal war against his mother.
Witnessing this family squabble - and unwittingly taking part in it -  is Fleda Vetch ( Gemma Jones ), a minister's daughter whom Adele has taken under her wing. Adele wants to see Fleda become mistress of Poynton in place of Mona, and things begin to go her way until Fleda complicates matters when she lets pride rule over love. 

Henry James' novel "The Spoils of Poynton" first appeared in print in 1896 when it was published in serial format in The Atlantic Monthly under the title "The Old Things". Henry James' most famous works are three novels that have been frequently adapted to film and television: "The Turn of the Screw" ( filmed as The Innocents in 1963 ), "Washington Square" ( better known as The Heiress to film fans ), and "The Aspern Papers". He wrote many many fine stories in addition to these that were also adapted into films, including The Wings of the Dove, The Portrait of a Lady, The Golden Bowl, and The Bostonians. 
The Spoils of Poynton is an excellent adaptation featuring some top-notch performances from Ian Ogilvy ( The Saint ) and Gemma Jones ( The Duchess of Duke Street ). The BBC made a number of really rich television productions in the 1970s and this one is truly a gem. It was like capturing a fine performance of a great play on film that can be enjoyed over and over again. 
Pauline Jameson is excellent as Adele Gareth. Her character is haughty, terribly houseproud and materialistic and yet Pauline makes her endearing to watch. Young Fleda takes a liking to her instantly and they share a bond in their love of beautiful objects. Fleda would make an ideal match to Adele's son Gareth and Adele well knows this. She hopes that love will blossom between the two and, to her good fortune, it does. 

Fleda Vetch is such a darling character but one cannot help feel that she muddles up matters too much out of her sense of righteousness and decency. She loves Owen dearly and he loves her, too, yet she insists that he return to Mona to patch things up properly and therefore smashes to pieces her future, Owen's future, Adele's happiness and Poynton's legacy. 
The Spoils of Poynton can be difficult to watch because it is hard to see people wrestle over material objects with such passion. Foolish Mona has no interest in the household treasures whatsoever and yet she allows her relationship with Owen to be ruined in an argument over who will get possession of them. It's quite a fascinating story. And interwoven through it is this growing romance between Owen and Fleda that spurs the story onward. The materials themselves act only as a catalyst to all the events that happen to the four main characters. 

BBC made a number of film adaptations of Henry James novels and if this one interests you, then be sure to check out the equally engrossing mini-series The Golden Bowl ( 1972 ) starring Daniel Massey and Jill Townsend.